A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
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A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
In respect to furniture, the houses of the “_parvenus_” are elegantly
and splendidly fitted up. Most of the other private hotels have received
little improvement, repair, or alteration, since the beginning of
the revolution, and are consequently not very remarkable, either for
freshness or novelty of taste. Carpets are not common; and though the
beds are generally better, and in a more ornamental form, than those
usually seen in England, and the antique shapes are most classically
imitated in the decoration of these, and in the chairs, or _fauteuils_;
yet, in other respects, I think our modern manner of fitting up houses
has the advantage over that which generally prevails at Paris. Mahogany,
so commonly used in England for dinner tables, is seldom applied to that
purpose in France; and, as the cloth is never removed, they are made
of deal. _En revanchè_ it forms, instead of gold, the frames of satin
furniture; and the walls of drawing rooms are often ornamented with
that wood. I cannot say, I admire mahogany thus employed; but this is
entirely a matter of taste. Plate glass is, of course, very superiour,
and infinitely more common in the decoration of rooms than in England;
yet, with this exception, and a few others, I think our apartments in
London are more completely furnished, are much cleaner, and have many
little comforts which are wanting in those of Paris. Some particular
houses here do, indeed, present models of taste, profusion, and luxury,
unequalled by any of ours; but the number of these is very trifling, and
alters but little the general result.
The eating rooms of french houses are very disgusting. Instead of the
comfortable turkey carpet, handsome curtains, _stuccoed_ walls, blazing
fire, and ornamented sideboard, of a London parlour, the dinner is here
served in a dark and gloomy apartment, called “_la salle à manger_,”
imperfectly heated with a stove, the floor generally of stone, and always
without a carpet, the windows without curtains or shutters, and the whole
dirty and uninviting. Where there is not a separate antichamber, the
servants occupy the dining rooms in the absence of their masters; and, in
that case, the smell, which such company are apt to leave, is extremely
offensive.
Public-domain text, read in full here on John Shaqi.
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