A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
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A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
There are four tiers of boxes above, which, under the respective names
of 2me, 3me, 4me, and 5me, diminish in price, in proportion as you
ascend. A box may be engaged before hand, by taking all the places,
which vary in number, from three to eight; and when this is done, no
person whatever has the right of coming there, without the permission
of those by whom it is hired; and it is not necessary, as in London, to
come before the conclusion of the first act. The box, for the whole of
the evening, is private property. It is but justice to add, that if the
french theatres are less gay than the english, they are infinitely more
orderly; and I never remember to have seen any thing like a dispute, or
riot at any of the _spectacles_. Women, too, of a certain description,
do not ply for custom, (with the single exception of one theatre, which
I shall afterwards name) as at Covent Garden, and Drury Lane, and indeed
are rarely seen at the larger play-houses. The price of each ticket in
the first places, is six livres, twelve sous, answering exactly to five
shillings and sixpence of our money. The stage box, ornamented with
scarlet cloth, richly embroidered, is reserved for the family of the
first consul; but he generally occupies a little _loge grillé_, or shaded
box, in which he cannot be seen, immediately under the large one, in
which madame Bonaparte often sits.
The next theatre which I shall mention is, “the opera,” or “le théâtre de
la république, et des arts,” by which latter name it is daily advertised,
but never called.
Public-domain text, read in full here on John Shaqi.
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