A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
“Feydeau,” as it is commonly called, is much frequented by the
fashionables of Paris, and is by many preferred even to the larger
theatres. “Vaudeville” is an extremely pretty little theatre, where
short lively pieces are acted, enlivened with songs, all of which
have an epigrammatic turn. Celebrated authors, distinguished public
characters, and temporary occurrences, are often the subjects of these
pieces. The philosopher of “Ferney,” is well represented in one of these
called, “Voltaire,” as are, “Florian,” “Gesner,” “Scarron,” &c. in the
pieces called, by their respective names. When lord Cornwallis honoured
this little theatre with his presence, couplets were instantly sung in
celebration of the peace; and a farce has lately been acted here, called,
“le Peintre françois à Londres,” in which a very handsome compliment
is paid to the english character. Madame Henry is the heroine of
“Vaudeville.” She is a good actress, and one of the most beautiful women
I have yet seen in France.
“Le théâtre de Louvois,” is larger than “Vaudeville;” but smaller than
“Feydeau.” Here plays are acted mostly of two or three acts; but they
sometimes perform longer pieces. I saw at this house, a few nights
since, a comedy taken from Fielding’s Tom Jones. It was a sentimental
drama, and neither ill written, nor ill acted; but the ridiculous use
of the following expression, “Tom, mon cher Tom[46],” in the midst of
a very pathetic scene, had such an effect on my muscles, that I could
not recover my gravity for the rest of the evening. Apropos; the french
have a most extraordinary aptitude to make mistakes in translating, and
adopting our english appellations. In a serious drama, or in a novel
taken from our language, the vulgarism of addressing a young lady, by
the name of, “miss,” is retained in french; and the absurd manner in
which the word is pronounced, united to the coarse familiarity of the
expression, often destroys the effect of the best imagined passages. In
the same manner, “Mrs.” instead of being translated “madame,” is written
“mistriss;” and if “a lord William,” or a “lord Charles” is mentioned,
he is sure to be called in the next page, “le chevalier baronet,” &c. A
respectable old steward receives the childish name of “Dick,” a heroine
is “miss Peggy,” and a renowned warrior, “sir Jack,” or “admiral Billy.”
I resume my subject. The actors of “Louvois,” are tolerably good; the
house is about the size of our little theatre in the Hay market, and the
pieces represented here are often entertaining.
Public-domain text, read in full here on John Shaqi.
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