“L’Ambigu-comique,” at the most distant part of the Boulevard, not far from the ci-devant Bastille, is much frequented, on account of its splendid processions. A piece called, “le Jugement de Solomon,” has been so extremely popular, as to render it very difficult to get a seat, when it was performed. After several fruitless attempts, I succeeded last night in gaining admittance; and I must confess, that I was much disappointed. The theatre is little and dirty; and the stage is too confined for the shows presented on it, to produce any effect. “Le Jugement de Solomon,” notwithstanding its great celebrity, seemed to me a very tiresome, dull, uninteresting piece of tawdry parade. “Le théâtre des jeunes Artistes,” is also on the Boulevard, very near “l’Ambigu-comique.” “La salle,” or the hall, appropriated to the purpose, though small, is neat and prettily decorated. Here I saw a pantomime in five acts; the hero of which was the renowned “Puss in Boots,” or “le Chat botté,” as he is called by the french. Need I add, that I was completely _ennuyé_. The actors are really young beginners, or “jeunes artistes;” and I fear, from the _promising_ appearance of three or four of the female performers, (none of whose ages exceeded sixteen) that this theatre is a nursery for other places, besides the play-houses. “Le théâtre du Marais,” I have not yet visited; but I am told, that the building is elegant. A detachment from the company, which I have already mentioned as acting at “le théâtre de Molière,” performs at this house. There are likewise, “le théâtre de la Gaieté, rue Thionville,” “le théâtre des jeunes Élèves,” et “le théâtre sans Pretension,” on the Boulevard. I have not seen them; but I hear they are exactly on the same plan, and in the same state as “le théâtre de l’Ambigu-comique.”