A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
A handsome porte cochére[47] led to a well lighted and elegant stair
case, by which we approached the _salon_; where _madame_ ⸺, and some
friends who had dined with her, were seated. As, among the very few
houses at which I visit at Paris, the greater part are of “l’ancien
régime,” I have become so accustomed to dark rooms, old furniture, and
dismal hangings, that I was quite astonished at the splendour of the
apartment, into which I was now ushered. An elegant girandole of cut
glass, made with the greatest taste, and filled with innumerable wax
lights, gave such a lively appearance to the room, that, for a few
moments, I supposed myself in London. The chairs were made with classical
propriety in antique shapes, and the colours were well assorted. The
carpet (a luxury not often met with in this town) was of the finest
Brussels manufactory; and the walls were ornamented with designs on the
plan of “Echart.” We were received with much politeness by the lady of
the house, who is a beautiful woman, and who, whatever her original
situation may have been, is at present graceful in her manner, highly
accomplished, and well acquainted with the literature of her own country.
MONSIEUR was neither very handsome, nor particularly brilliant; but he
was very civil, and took no little pride in showing us the suite of rooms
which adjoined to the _salon_, and which were all, like the latter,
splendidly lighted.
The apartment next to that in which we were received, was covered with
pictures representing a naval engagement; and the inscription underneath
proved, that they had belonged to the unfortunate Louis XVI. A large claw
table was placed in the centre of the room; and our host, though a good
republican, forgot not to inform us, that it had cost him a large sum of
money; having been taken from the Thuilleries, where it had long been
in the use of Marie Antoinette. Next to this was the bed-room, which
was particularly splendid. The canopy of India muslin, so fine that it
appeared like a net, to which was added a rich embroidery of gold. The
stand of this elegant couch was of mahogany, ornamented with antique
figures correctly carved. The _boudoir_, which adjoined, almost, exceeded
in luxury that of madame ⸺, already described in a former letter. The
sofa was of crimson velvet, edged with silver; and the sides and top of
this little _bijou_ were entirely covered with the finest mirrors. Beyond
the _boudoir_ was another bed-room, furnished in a different manner, but
with equal taste and equal extravagance. The party consisted of five or
six ladies, who were, perhaps, more expensively, than correctly dressed,
of two of the ministers, and of some foreigners of distinction. A
musician of eminence performed on the harpsichord; and accompanied madame
⸺ and one of her friends, who both sung very prettily.
Public-domain text, read in full here on John Shaqi.
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