A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
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A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
The streets of Paris have, since sunday last, exhibited a very singular
appearance to the eye of an englishman. The carnival is now begun;
and the people, being permitted by the present government to return
to all their old habits, are celebrating this season of the year with
that gayety, whim, and eccentricity, which it has long been a kind of
religious duty, in catholic countries, to display on such occasions. From
six in the morning till midnight, the principal streets are crowded with
masks of every description; and while a certain number are contented with
exhibiting their fun and their dresses on foot, others are mounted on
horses, attended by servants, also in _costume_, and some are seated in
carriages of every description. In short, Paris has been one continued
scene of jubilee, and it is difficult to pass through the principal
avenues of the town, on account of the vast crowds of singular figures,
who press forward on every side, and arrest the attention of spectators.
Harlequins, Columbines, beaux, abbés, lawyers, and monks, present
themselves every where; and while they circulate in detached parties,
mamalukes, turks, and indian savages, correctly dressed, well mounted,
and attended with bands of music, move in numerous bodies. These, and
motley groups of masks of all kinds, filling the inside, top, and every
part of hackney coaches, landaus, sociables, curricles, cabriolets, and
german waggons, form lengthened processions on the Boulevard, in the
rue St. Honoré, and in the neighbourhood of the Palais royal; while the
latter, the Thuilleries, and Champs Elisées, are filled with pedestrian
and motley coloured wits, who, attacking each other with _poissard_
eloquence, amuse not a little the surrounding multitude.
It is difficult to convey an idea of the show, variety, and eccentricity
of the dresses. In the extraordinary processions, which I have already
mentioned, several handsome carriages were employed, drawn very
frequently by four, sometimes by six, and, in more instances than one, by
eight horses. Caricatures of all sorts were exhibited; and it was curious
to see the _costumes_ of friars, nuns, full dressed _marquis_, powdered
_abbés_, and mitred prelates, appearing as masquerade disguises in those
streets, where, twelve years before, the same dresses excited the serious
respect of every one.
Public-domain text, read in full here on John Shaqi.
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