A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
Before I conclude my account of the audience, I ought to mention, that
it may be well called a _court_; for it is attended not only with all
the requisites of show, parade, form, and etiquette, but likewise by
that flattery and cringing attention, which it was once the exclusive
privilege of royalty to receive. I saw the proudest nobles of foreign
courts, decorated with all the trappings of chivalry, humbly bending
the body, and anxiously courting the smile of that individual, whom, a
few years, nay, a few months before, they would have branded with the
names of rebel, jacobin, and usurper; but the creed of courtiers is to
change with “existing circumstances,” and those, whose intrigues against
Bonaparte were the most active, are now his most obsequious sycophants.
But a truce to remarks which lead to politics.
The english who were presented immediately after the peace, were asked
to dinner; but owing to the greatness, I imagine, of our number, this
favour was not yesterday shown to us. I regret much having missed the
entertainment, as I am told it was strikingly magnificent.
I went in the evening to see a _spectacle_, infinitely more interesting,
according to french ideas, though certainly not so according to mine. I
mean, the first appearance, this season, of Vestris, and mademoiselle
Chameroi. This was at Paris a matter of great importance, and boxes were
engaged for weeks before hand. Mrs. ⸺ was fortunate enough to procure
one; and I therefore saw the performance (Hecubé, and “le _Ballet_ de
Paris,”) to great advantage. Vestris has certainly lost none of his
merit, and deserves, as well as ever, that celebrity which has long been
his; but I could not help being disgusted at the thunder of applause
which greeted his appearance. It is impossible, indeed, to carry further
the _sublime_ art of dancing; but how contemptible is it to lavish the
praises of a great nation on the exertions of mere bodily skill! If, as
Dr. Johnson well observes, “the garlands due to the great benefactors
of mankind should not be suffered to fade upon the brow of those who
can boast only petty services and easy virtues,” much less should they
ornament the head of him, whose utmost claims on the gratitude of the
public are the flexibility of his body, or the grace of his steps.
Mademoiselle Chameroi, the _élève_ and favourite of Vestris, danced
delightfully, and almost shared the popularity of her protector.
Bonaparte was present, and sat, for the first time, in his state or
open box. He was welcomed with warm and universal plaudits; but I blush
to add, that they were not greater than those which the “quick-footed”
Vestris had already received. Is it possible that the parisians reward,
with the same honours, the services of their great statesmen, and the
exertions of their favourite dancers?
Public-domain text, read in full here on John Shaqi.
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