A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
The _bois de Boulogne_ is about a mile and a half from the _place de
la Concorde_; and the avenue and turnpike leading to it, form one of
the most striking entrances of Paris. The wood itself was formerly very
fine; but in one of the frantic moments of revolutionary violence,
great part of the trees, were, by order of the then government, cut
down for fuel. It is however still a very pleasant retreat; and though
the wood is not so well garnished as it once was, yet it is singularly
retired and romantic, for a spot so near a capital. A gate leads to it,
where, from the crowds pressing forwards, it is often necessary to wait
before it is possible to pass. A string of carriages fills the centre
of the road, on the sides of which, gentlemen and ladies on horseback
are obliged to range themselves, as there is no separate space for
equestrians. Under the trees, to the right, it is the fashion to walk,
or to sit on chairs, which are placed there for the purpose; while ice,
oranges, flowers, fruit, and lemonade, are offered by persons, who make
it their business to attend, and who are not a little importunate. Here
the _belles_ of Paris appear in all their _éclat_, not dressed in rustic
straw hats, and snow white morning gowns, such as our fair countrywomen
wear in Kensington gardens; and which, while they are the emblem of
their minds, pure and simple, are the most becoming ornaments they could
assume. The ladies of Paris disdain such humble attractions; and in showy
silks, embroidered muslins, pearl necklaces, lace caps, and transparent
petticoats, challenge the attention of passengers. “Les pommes
d’albâtre,” as Voltaire describes them, are as little disguised as at the
balls, which I have mentioned; and ill-nature has a fair opportunity of
determining by day light, whether they owe their fairness to nature or to
art. Clad in this manner, many of them appear in open carriages, while
others lounge on the chairs, or loiter along the walk, followed by their
booted _beaux_, who to english leather breeches and boots, and cropped
hair, sometimes add a pair of ear-rings, or a smart military cocked hat,
when the sun shines in all its meridian heat.
Public-domain text, read in full here on John Shaqi.
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