A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
It will be remembered, that this was the spot in which, at the beginning
of the revolution, it was proposed, by burying in its vaults, to confer
immortality on such men, as by their talents, their virtues, or their
courage, had deserved well of the republic. This idea, like many others,
started during the fervour of popular enthusiasm, though splendid in
theory, soon became very objectionable in practice. The honours of
sepulture in the Pantheon, were contested for by the friends of deceased
public men, with the same eagerness as they themselves had displayed
during their lives, in the pursuit of the objects of their ambition;
and as the merit which entitled an individual to the proposed reward,
depended entirely on the capricious estimate of those, who happened to be
in power, at the time of his death; the most illustrious, and the most
contemptible characters; the virtuous and the corrupt; the hero and the
coward; the man of talents, and the ignorant jacobin; the enlightened
friend of humanity, and the sanguinary decemvir, received in their turn
the honours of the Pantheon. From this strange abuse soon arose another,
which, though derived from a better motive, was equally indecent. The
bones of those, whom the successful party condemned, were dragged from
the tomb, in which they had been placed with so much pomp and parade,
perhaps only a year before, and thrown, like the carcases of dogs, on
a neighbouring dunghill. Ashamed of having placed the remains of the
infamous Marat, near those of Voltaire and Rousseau, the revolutionary
demagogues may plead some excuse for this strong, but indecorous
testimony of tardy repentance; but the scholar, and the friend of genius
will hear, with regret, that the ashes of the eloquent Mirabeau, who
(whatever his political faults might be) possessed no common talents,
as an orator and a writer, experienced a similar indignity. If his
integrity was not sufficiently evident to entitle him to a tomb among the
benefactors of his country, yet when it was once erected, his literary
merits ought to have saved it from destruction.
To prevent a recurrence of circumstances so little honourable to the
french name, a decree was at last past, for clearing away all the
monuments erected in the Pantheon, excepting those of Voltaire and
Rousseau. These I determined to visit. We accordingly descended into the
vaults, which are neat, clean, well lighted, stone apartments, where we
found the tombs of these celebrated men. On that of Rousseau only the
following words are written:
“Ici répose l’homme de la nature et de la vérité[56];” and a
hand with a torch rises from the tomb, with this inscription,
“il éclairit le monde même du tombeau[57].”
On the monument of Voltaire, the following epitaph is written
on one side.
Public-domain text, read in full here on John Shaqi.
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