A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
As soon as the count came in, the official unbuttoned his shirt-collar, and
lifted his legs still higher. The count's arrival generally gave new life
to the festivities.
The gypsy girls, who had been scattered about the room, again formed their
circle. The count seated Stioshka, the soloist, on his knee, and ordered
more champagne to be brought. Ilyushka, with his guitar, stood in front of
the soloist, and began the _plyaska_, that is, the gypsy song and dance,
"When I walk upon the Street," "Hey! you Hussars," "Do you hear, do you
understand?" and others of the usual order.
Stioshka sang splendidly. Her flexible, sonorous contralto, with its deep
chest notes, her smiles while she was singing, her mischievous, passionate
eyes, and her little foot which involuntarily kept time to the measure of
the song, her despairing wail at the end of each couplet,--this all touched
some resonant but tender chord. It was evident that she lived only in the
song that she was singing.
Ilyushka, in his smile, his back, his legs, his whole being, carrying out
in pantomime the idea expressed in the song, accompanied it on his guitar,
and, fixing his eyes upon her as though he were hearing her for the first
time, attentively and carefully lifted and drooped his head with the rhythm
of the song.
Then he suddenly straightened himself up as the singer sang the last note,
and, as though he felt himself superior to every one else in the world,
with proud deliberation kicked the guitar, turned it over, stamped his
foot, tossed back his locks, and looked at the chorus with a frown.
All his body, from his neck to his toes, began to dance in every sinew.
And twenty powerful, energetic voices, each trying to outdo the other in
making strange and extraordinary noises, were lifted in union.
The old women sprang down from their chairs, waving their handkerchiefs,
and showing their teeth, and crying in rhythmic measure, each louder than
the other. The bassos, leaning their heads on one side, and swelling their
necks, bellowed from behind their chairs.
When Stioshka emitted her high notes, Ilyushka brought his guitar nearer to
her as though trying to aid her; and the handsome young man, in his
enthusiasm, cried out that now they struck B-flat.
When they came to the national dance, the Plyasovaya, and Duniasha, with
shoulders and bosom shaking, stepped in front of the count, and was passing
on, Turbin leaped from his place, took off his uniform, and, remaining only
in his red shirt, boldly joined her, keeping up the same measure, and
cutting with his feet such antics, that the gypsies laughed and exchanged
glances of approval.
The isprávnik, who was sitting Turkish fashion, pounded his chest with his
fist, and cried "_Vivat!_" and then, seizing the count by the leg, began to
tell him that out of two thousand rubles, he had only five hundred left and
that he might do whatever he pleased, if only the count would permit him.
Public-domain text, read in full here on John Shaqi.
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