A Russian Proprietor, and Other StoriesTolstoy, Leo, graf
General
A Russian Proprietor, and Other Stories
Tolstoy, Leo, graf
Russia -- Social life and customs -- Fiction; Tolstoy, Leo, graf, 1828-1910 -- Translations into English
Advancing a few steps, he paused, turned to the young man, and smiled. He
found it apparently rather hard to smile. But his face was so lighted up by
it, that the young man, without knowing why, smiled in return.
"Who is that man?" he asked of the maid in a whisper, as the stranger
walked toward the room where the dancing was going on.
"A crazy musician from the theatre," replied the maid. "He sometimes comes
to call upon madame."
"Where are you going, Delesof?" some one at this moment called from the
drawing-room.
The young man who was called Delesof returned to the drawing-room. The
musician was now standing at the door; and, as his eyes fell on the
dancers, he showed by his smile and by the beating of his foot how much
pleasure this spectacle afforded him.
"Won't you come, and have a dance too?" said one of the guests to him. The
musician bowed, and looked at the hostess inquiringly.
"Come, come. Why not, since the gentlemen have invited you?" said the
hostess. The musician's thin, weak face suddenly assumed an expression of
decision; and smiling and winking, and shuffling his feet, he awkwardly,
clumsily went to join the dancers in the drawing-room.
In the midst of a quadrille a jolly officer, who was dancing very
beautifully and with great liveliness, accidentally hit the musician in the
back. His weak, weary legs lost their equilibrium; and the musician, making
ineffectual struggles to keep his balance, measured his length on the
floor.
Notwithstanding the sharp, hard sound made by his fall, almost everybody at
the first moment laughed.
But the musician did not rise. The guests grew silent, even the piano
ceased to sound. Delesof and the hostess were the first to reach the
prostrate musician. He was lying on his elbow, and gloomily looking at the
ground. When he had been lifted to his feet, and set in a chair, he threw
back his hair from his forehead with a quick motion of his bony hand, and
began to smile without replying to the questions that were put.
"Mr. Albert! Mr. Albert!" exclaimed the hostess. "Were you hurt? Where?
Now, I told you that you had better not try to dance.... He is so weak,"
she added, addressing her guests. "It takes all his strength."
"Who is he?" some one asked the hostess.
"A poor man, an artist. A very nice young fellow; but he's a sad case, as
you can see."
She said this without paying the least heed to the musician's presence. He
suddenly opened his eyes as though frightened at something, collected
himself, and remarked to those who were standing about him, "It's nothing
at all," said he suddenly, arising from the chair with evident effort.
And in order to show that he had suffered no injury, he went into the
middle of the room, and was going to dance; but he tottered, and would have
fallen again, had he not been supported.
Public-domain text, read in full here on John Shaqi.
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