England -- Social life and customs -- Fiction; Love stories; Marriage -- Fiction
To Miss Carr distinctions of caste are as yet unknown. In her eyes
every member of the opposite sex, from the alien who calls on
Thursdays with a hurdy-gurdy to the knight-in-armour who keeps eternal
vigil in the outer hall, is a "genelman." Even if you are emitting
flames from your stomach, as in the present instance, you are not
debarred from the title.
Daphne surveys the picture in a reminiscent fashion, and her thoughts
go back to a distant Sunday morning at the Rectory, with her youngest
brother kneeling on the floor, endeavouring to verify a pictorial
reference in this very volume.
"What is he doin' to the other genelman?" continues the searcher after
knowledge upon her knee, in a concerned voice.
"He is trying to hurt him, dear."
"What for?"
So the inexorable, immemorial catechism goes on, to be answered with
infinite patience and surprising resource. Presently the cycle of
inquiry completes itself, and the original question crops out once
more.
"What did you say was ze name of that genelman?" with a puckered,
frowning effort at remembrance.
"Apollyon, dear."
"Oh." Then the inquirer strikes a fresh note.
"Do you know him?"
"I used to," replies Daphne. "At least," she adds, "I used to know
some one who I thought was like him. But his name turned out not to be
Apollyon after all."
"What _was_ his name, then--his pwoper name?" pursues Miss Carr,
deeply intrigued.
Daphne turns to another illustration, coming much later in the book,
and surveys it with shining eyes.
"His proper name, Beloved?" she asks.
"Yes. What _was_ it?"
"Mr Greatheart," says Daphne softly.
THE END.
PRINTED BY WILLIAM BLACKWOOD AND SONS.
* * * * *
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Public-domain text, read in full here on John Shaqi.
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