American fiction -- 19th century; California -- Social life and customs -- Fiction; Western stories
“Dinner is set for thirty, sir,” said the functionary, keeping step
demurely with his master, “but Mr. Appleby takes ten over to San
Mateo, and some may sleep there. The char-a-banc is still out and five
saddle-horses, to a picnic in Green Canyon, and I can't positively say,
but I should think you might count on seeing about forty-five guests
before you go to town to-morrow. The opera troupe seem to have not
exactly understood the invitation, sir.”
“How? I gave it myself.”
“The chorus and supernumeraries thought themselves invited too, sir, and
have come, I believe, sir. At least Signora Pegrelli and Madame Denise
said so, and that they would speak to you about it, but that meantime I
could put them up anywhere.”
“And you made no distinction, of course?”
“No, sir, I put them in the corresponding rooms opposite, sir. I don't
think the prima donnas like it.”
“Ah!”
“Yes, sir.”
Whatever was in their minds, the two men never changed their steady,
practical gravity of manner. The major-domo's appeared to be a subdued
imitation of his master's, worn, as he might have worn his master's
clothes, had he accepted, or Mr. Rushbrook permitted, such a
degradation. By this time they had reached the door of Mr. Rushbrook's
room, and the man paused. “I didn't include some guests of Mr. Leyton's,
sir, that he brought over here to show around the place, but he told me
to tell you he would take them away again, or leave them, as you liked.
They're some Eastern strangers stopping with him.”
“All right,” said Rushbrook, quietly, as he entered his own apartment.
It was decorated as garishly as the hall, as staring and vivid in color,
but wholesomely new and clean for all its paint, veneering, and plaster.
It was filled with heterogeneous splendor--all new and well kept, yet
with so much of the attitude of the show-room still lingering about
it that one almost expected to see the various articles of furniture
ticketed with their prices. A luxurious bed, with satin hangings and
Indian carved posts, standing ostentatiously in a corner, kept up this
resemblance, for in a curtained recess stood a worn camp bedstead,
Rushbrook's real couch, Spartan in its simplicity.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account