Tony and I had a wonderful holiday together. Now that Elspeth has Prunella and her mother she is happy and I, for some strange reason, feel that I am leaving some part of myself behind with her in the person of the kid, so I did not feel the separation so acutely as I should otherwise have done. I always return from a holiday in the West Country a different man. On this occasion as the result Tony wrote some wonderfully descriptive verses and three short stories, and I was inspired to begin my first novel. I am not satisfied with it, because as usual I have hurried through it far too quickly, my characterization is not sound, my protagonists have simply run away with me. I start off by meaning to say one thing and then end up by saying something quite different. I cannot visualize scenes accurately: I give a hazy, vague impression like a man who never keeps his eye on the object. I have often, for instance, tried since I have been at Marlton to describe the school, the Priory, or the town, but I have never succeeded in pleasing myself with the result. The town to me is just a cluster of beautiful old houses set in a picturesque valley flanked with wooded hills; the Priory which stands in the midst defies description. I know that when I get inside I gaze at the thin perpendicular pillars, the ornate ceiling, the many coloured stained-glass windows, the slender beauty of the whole, but I cannot get the impression it makes upon me into words: the school is simply an Oxford College with lime-trees in the quadrangle and latticed windows to its studies and no more. I can't paint what it looks like on a clear moonlight night, or when the lights shine through the rain on to the puddles in the main courts.... So it is with Devon and Cornwall: their very names ring in my ears like some magic phrase, but I can't explain the fascination these counties have for me.