A Schoolmaster's Diary: Being Extracts from the Journal of Patrick Traherne, M.A., Sometime Assistant Master at Radchester and Marlton.Traherne, Patrick
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A Schoolmaster's Diary: Being Extracts from the Journal of Patrick Traherne, M.A., Sometime Assistant Master at Radchester and Marlton.
Traherne, Patrick
Traherne, Patrick, 1885-1917
The boy's first intimation that a new day of miserable waste has
begun is received by the clanging in his ears of a discordant bell by
a man servant, whose sole claim to attention in these pages is that
he also acts as the senior boys' bookmaker's agent, and supplier of
cigarettes, tobacco, matches and pipes at a rate highly profitable to
himself. The compulsory bath over (no boy would wash unless he was
compelled, that is an idea that you who live on adages and saws which
are one tissue of lies will find it hard to believe, but it is true),
after the compulsory bath, I say, he hurries into his clothes, dashes
downstairs and just gets to the chapel as the doors close behind him.
The service need not be given in detail: it is merely a roll-call with
a little music thrown in; the boys are ardently urged to join in the
responses or psalms, sometimes with threats, but except on Sundays no
part whatever is taken by the congregation in the service. They mark
with satisfaction that their form master has noted their presence and
then proceed with their disturbed slumbers, unless the youth on their
right or left has some racy story or spicy bit of news to impart, or
there is some friend across the gangway of the aisle at whom they wish
to gaze, not being permitted by law to speak owing to disparity of
age. The fascination of the loved face grows and the service becomes
interesting until the Head Master's eye, ever roving, searching for
evil, lights on these two: they blush, hide their faces under a
pretence of praying, and march out; the service is over. A scamper
ensues towards the classrooms for the most hated and slackest school of
the day: that on an empty stomach before breakfast.
The scene is an ill-lighted, cobweb-ridden, white-wash-walled,
low-ceilinged room, fitted with old oak desks, on which are carved many
thousands of initials and into which several obscene remarks are deeply
inked; long low benches without backs incite the boys to lounge forward
with bent shoulders; there is no relief on any of the walls to hide the
hideous plaster except a map of Palestine dated 1871.
The blackboard is rough and cracked, and whatever writing is inscribed
on it is indiscernible when the lights are on.
The door has just been unlocked, a grey-haired portly man in an M.A.
gown lets the flood of sombrely-clad louts of seventeen and eighteen
rush past the Eton-collared, more brilliant youngsters of fourteen, so
that they may secure the place nearest to the pipes, or sit in remote
corners with their backs against the wall, covered by the form in front
from any possible detection.
The master makes his way to his desk, sits down and raps out suddenly:
Public-domain text, read in full here on John Shaqi.
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