A Select Collection of Old English Plays: Originally Published by Robert Dodsley in the year 1744
General
A Select Collection of Old English Plays: Originally Published by Robert Dodsley in the year 1744
English drama
Most of the characters, and particularly those of Arthur and Mordred,
are drawn with distinctness and vigour: the fiery and reckless
ambition of the son is excellently contrasted with the cool
determination and natural affection of the father. As an illustration
of the former we may refer to many passages, but especially to several
in the third scene of the second act; while the character and
disposition of the latter are depicted in a masterly manner both
before and after the final battle. This catastrophe, as far as relates
to the death of Mordred, is mentioned by Dante in canto xxxii. of his
“Inferno”--
“Non quelli a cui fu rotto il petto e l’ombra.
Con esso un colpo per la man d’Artu.”
The substance of the story is to be found in the “Morte Arthur.” The
action is one, but the unities of time and place are disregarded; and
although the tragedy in many respects is conducted upon the plan of
the ancients, there are in it evident approaches to the irregularity
of our romantic drama. It forms a sort of connecting link between such
pieces of unimpassioned formality as “Ferrex and Porrex,” and
rule-rejecting historical plays, as Shakespeare found them and left
them.
THE NAMES OF THE SPEAKERS.
GORLOIS, _Duke of Cornwall’s Ghost_.
GUENEVERA, _the Queen_.
FRONIA, _a Lady of her train_.
ANGHARAD, _Sister to the Queen_.
MORDRED, _the Usurper_.
CONAN, _a faithful Councillor_.
_Nuntius of Arthur’s landing_.
_The Herald from Arthur_.
GAWIN, _King of Albany_.
GILLA, _a British Earl_.
GILLAMOR, _King of Ireland_.
CHELDRICH, _Duke of Saxony_.
_The Lord of the Picts._
ARTHUR, _King of Great Britain_.
CADOR, _Duke of Cornwall_.
HOEL, _King of Little Britain_.
_The Herald from Mordred_.
ASCHILLUS, _King of Denmark_.
_The King of Norway_.
_A number of Soldiers_.
_Nuntius of the last battle_.
GILDAS, _a nobleman of Britain_.
CHORUS.
THE INTRODUCTION.
An introduction, penned by Nicholas Trotte, Gentleman, one of the
Society of Gray’s Inn, which was pronounced in manner following:--viz.,
Three Muses came on the stage apparelled accordingly, bringing five
Gentlemen Students with them, attired in their usual garments, whom
one of the Muses presented to Her Majesty as captives. The cause
whereof she delivered by speech as followeth:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account