where he put Mordred to flight. The last field was fought at Cornwall where, after the death of one hundred and twenty thousand, saving on either side twenty, Mordred received his death, and Arthur his deadly wound. _The Argument and Manner of the First Dumb-Show._ Sounding the music, there rose three furies from under the stage, apparelled accordingly with snakes and flames about their black hair and garments. The first with a snake in the right hand, and a cup of wine, with a snake athwart the cup, in the left hand. The second with a firebrand in the right hand, and a Cupid in the left. The third with a whip in the right hand and a Pegasus in the left. While they went masking about the stage, there came from another place three nuns, which walked by themselves. Then after a full sight given to the beholders, they all parted, the furies to Mordred’s house, the nuns to the cloister. By the first fury with the snake and cup was signified the banquet of Uther Pendragon, and afterward his death, which ensued by the poisoned cup. The second fury, with her firebrand and Cupid, represented Uther’s unlawful heat and love conceived at the banquet, which never ceased in his posterity. By the third, with her whip and Pegasus, was prefigured the cruelty and ambition which thence ensued and continued to th’ effecting of this tragedy. By the nuns was signified the remorse and despair of Guenevera that, wanting other hope, took a nunnery for her refuge. After their departure, the four which represented the Chorus took their places. _The Argument of the First Act._ 1. In the first scene the spirit of Gorlois, Duke of Cornwall, the man first and most wronged in this history, being despoil’d both of wife, dukedom, and life, craveth revenge for these injuries, denouncing the whole misfortune ensuing. 2. In the second scene Guenevera, hearing that Arthur was on the seas returning desperately, menaceth his death, from which intent she is dissuaded by Fronia, a lady of her court, and privy to her secrets. 3. In the third scene Guenevera perplexedly mindeth her own death, whence being dissuaded by her sister, she resolveth to enter into religion. 4. In the fourth scene Mordred goeth about to persuade Guenevera to persist in her love, but misseth thereof; and then is exhorted by Conan (a nobleman of Britain) to reconcile himself to his father at his coming, but refuseth so to do, and resolveth to keep him from landing by battle. THE MISFORTUNES OF ARTHUR. THE FIRST ACT AND FIRST SCENE. GORLOIS.[252]