John Heywood, or Heewood, one of the most ancient dramatic writers in the English language, was born in the city of London,[299] and educated in the University of Oxford, at [Broadgate, afterwards called Pembroke, College,] in St Aldgate's parish. He was in his time more celebrated for his wit than his learning; and having some fair possessions at North Mims, he resided there after he left Oxford, and became intimately acquainted with Sir Thomas More, who lived in that neighbourhood.[300] Here the latter wrote his celebrated work called "Utopia," and is supposed to have assisted Heywood[301] in the composition of his "Epigrams."[302] Through Sir Thomas More's means, it is probable our author was introduced to the knowledge of King Henry the Eighth, and of his daughter the Princess, afterwards Queen Mary; by the former of whom he was held in much esteem for the mirth and quickness of his conceits; and so much[303] valued by the latter, that he was often, after she came to the throne, admitted to the honour of waiting upon and exercising his fancy before her, even to the time she lay lauguishing on her deathbed. His education having been in the Roman Catholic faith, he continued steadily attached to the tenets of that religion; and during the reign[304] of Edward the Sixth, fell under the suspicion of practising against the government, and narrowly escaped the halter. After the death of his patroness the queen, he left the nation, says Wood,[305] for religion's sake, and settled at Mechlin in Brabrant, where he [appears to have been still living in January 1576-7. The exact date of his death is uncertain, but] he died,[306] leaving several children; one of whom, Jasper Heywood, translated three of Seneca's Plays, and wrote several poems, printed in the "Paradise of Dainty Devises," 4to, 1576. This Jasper Heywood was, according to Fuller, executed in the reign of Queen Elizabeth; but more probably, as Sir Richard Baker asserts, was among those who were taken in 1585, and sent out of England.[307] John Heywood[308] was one of our earliest [writers of a dramatic cast. He can hardly be called a dramatist.] Oldys[309] says he began to write about the year 1530, but that he could not find he published anything so early. [His first production in point of date may have been the play of the "Pardoner and the Frere," printed April, 1533; but two other interludes by him appeared the same year without note of the month. They were perhaps all written a little before.[310]