So little is known respecting the history of the following tract, that it is rather from an unwillingness to depart from the usual custom of affixing introductions to our reprints, than from any expectation of satisfying the slightest curiosity, that a few lines are here prefixed. The interlude of "The Disobedient Child" was written about the middle of the sixteenth century, by Thomas Ingelend, who is described in the early printed copy as "late student in Cambridge," and his fame seems to rest entirely on that production, for he is not to be traced in any other early literary record.[292] It has been supposed by some writers, from a few indistinct allusions in the play to Catholic customs, that it was composed in the reign of Henry VIII.; but if this be the case, the notice of Queen Elizabeth, introduced towards the close of the drama, must be an interpolation, a supposition not unlikely to be correct, for the audience are elsewhere reminded to "serve the king." The printed edition by Colwell is without date, but it was published about the year 1560. Two copies of this work which I have collated differ in some slight particulars from each other, but there is not sufficient reason for thinking that there were two editions, for it was formerly a very common practice to correct and alter the press whilst the impression was being taken.[293] [It is observable that the present interlude marks a considerable advance, in point of literary merit, on those which precede it in this collection. The author was evidently a man of taste and judgment, and many passages might be pointed out which possess no mean share of picturesqueness, elegance, and dramatic propriety. Contrary to the usual practice, in old as well as modern pieces, "The Disobedient Child" concludes unhappily, though without any attempt at a highly wrought tragical catastrophe; the Rich man persists in his unrelenting conduct, and we are left to imagine that his son returns to live and die in misery with his termagant wife.] THE DISOBEDIENT CHILD.[294] THE PROLOGUE. THE PROLOGUE SPEAKER.