THOMAS KYD, the translator of the following play, is better known as the author of the second part of "Jeronimo," a performance which was ridiculed by almost every contemporary poet, than by any other of his works. The time and place of his birth and death, the circumstances of his life and his profession, otherwise than as a writer, are all equally unknown. From the dedication of "Cornelia" to the Countess of Sussex it may be inferred that, like the generality of the devotees of poetry in his time, he was poor; and from the promise of another tragedy, called "Portia," as _his next summer's better travel_ which never appeared, it may be conjectured that he was prevented by death. Notwithstanding the ridicule thrown upon him on account of "The Spanish Tragedy," he appears to have been well esteemed by some of his contemporaries. Francis[336] Meres enumerates him among the best tragic writers of his times; and Ben[337] Jonson ranks him with Lyly and Marlowe, calling him Sporting Kyd. Another writer[338] says, "'Cornelia's Tragedy,' however not respected, was excellently well done by Thomas Kyd." Mr Hawkins[339] was of opinion that Kyd was the author of "Solyman and Perseda," a play which certainly in its manner bears a striking resemblance to "The Spanish Tragedy." Malone (ed. by Bosw., ii. 316) attributed to Kyd the old plays of "King Lear," "Hamlet," and "The Taming of a Shrew," the first and third printed in Steevens's "Six Old Plays," 1779, the "Hamlet" no longer known. The edition of "The Taming of a Shrew" used by Steevens was the third (1617). The first of 1594 has been republished in the Shakespeare Society's Series, 1844. The second was in 1596. Robert Garnier, from whom this play is translated, was a poet in considerable estimation during the reigns of Charles IX. and Henry III. and IV. He was born in the country of Maine in 1534, studied the law, and obtained some preferment, as well as reputation, in that profession. He was the author of eight plays, and died at Paris in the year 1590, at the age of fifty-six years. See "Recherches sur les Théâtres de France," par. M. De Beauchamps, 4to. 1755, p. 39. _To the Virtuously Noble, and Rightly-honoured Lady, the_ COUNTESS OF SUSSEX. Having no leisure (most noble lady) but such as evermore is travailed with the afflictions of the mind, than which the world affords no greater misery, it may be wondered at by some how I durst undertake a matter of this moment, which both requireth cunning, rest, and opportunity; but chiefly, that I would attempt the dedication of so rough, unpolished a work to the survey of your so worthy self.