A Select Collection of Old English Plays, Volume 10
General
A Select Collection of Old English Plays, Volume 10
English drama
[436] A _choppine_, or _chioppine_, was a high shoe worn by the
Italians. Tom Coriate calls them _chapineys_, and gives the following
account of them: "There is one thing used of the Venetian women, and
some others dwelling in the cities and townes subject to the Signiory
of Venice, that is not to be observed (I thinke) amongst any other
women in Christendome; which is so common in Venice, that no woman
whatsoever goeth without it, either in her house or abroad, _a thing
made of wood, and covered with leather of sundry colors, some with
white, some redde, some yellow. It is called a chapiney, which they
wears under their shoes._ Many of them are curiously painted; some
also I have seene fairly gilt; so uncomely a thing (in my opinion)
that it is pitty this foolish custom is not cleane banished and
exterminated out of the citie. _There are many of these chapineys of
a great heighth, even half a yard high_, which maketh many of their
women that are very short seeme much taller than the tallest women we
have in England. Also I have heard that this is observed among them,
that by how much the nobler a women is, by so much the higher are her
chapineys. All their gentlewomen, and most of their wives and widowes
that are of any wealth, are assisted and supported eyther by men or
women when they walke abroad, to the end they may not fall. They are
borne up most commonly by the left arme, otherwise they might quickly
take a fall."--"Crudities," 1611, p. 262. See also Mr Steevens's note
on "Hamlet," act ii. sc. 2, [and Hazlitt's "Venice," iv. 284.]
[437] [Edits., _buffolne_.]
[438] The lines printed in italics are taken from "The Spanish
Tragedy," [v. 54.]
[439] [Not in Edits.]
[440] [Edits., _supplants_.]
[441] [Edits. unnecessarily repeat _fresh_, to the injury of the metre.]
[442] [He quotes Sir Oliver's own words against him. See p. 314.]
[443] [Edits., _our_.]
EPILOGUS.
Thus two hours have brought to end
What many tedious hours have penn'd:
He dares not glory nor distrust;
But he (as other writers must)
Submits the tensures[444] of his pains
To those, whose wit and nimble brains
Are able best to judge: and as for some
Who, filled with malice, hither come
To belch their poison on his labour,
Of them he doth entreat no favour;
But bids them hang or soon amend,
For worth shall still itself defend.
And for ourselves we do desire,
You'll breathe on us that glowing[445] fire,
By which in time we may obtain
Like favours which some others gain;
For be assur'd our loves shall tend
To equal theirs, if not transcend.
FOOTNOTES:
[444] [Exertions.]
[445] [Old copies, _growing_.]
THE SECOND MAIDEN'S TRAGEDY.
PREFACE TO THE FORMER EDITION[446].
Public-domain text, read in full here on John Shaqi.
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