A Select Collection of Old English Plays, Volume 12Dodsley, Robert
General
A Select Collection of Old English Plays, Volume 12
Dodsley, Robert
English drama
CHRIS. 'Twas godliness, verily:
It was a hymn I warbled.
CON. Thou dost lie,
It was no hymn, it was a song. Is this
Your filthy rendezvous? you shall be taught
Another tune.
CHRIS. I do beseech you, show
Merciful cruelty, and as 'twere a kind
Of pitiful hard-heartedness. I'm strong.
[_They bring in_ ANDREW _and_ PRISCILLA.
CON. I'm glad you told me so, I will provide
Your ward accordingly. Drag 'em out both.
AND. Let me but send to th' ordinary.
CON. You shall not;
The ord'nary hath sent to you. No bail:
I will take none. I'll suffer no such sneaks
As you to offend this way: it doth belong
T'your betters, sir.
AND. Here's a sufficient man,
I do assure you; take my word for that.
CON. This staff was made to knock down sin. I'll look
There shall be no advoutry[226] in my ward,
But what is honest. I'll see justice done
As long as I'm in office. Come along. [_Exeunt._
FOOTNOTES:
[202] So Falstaff says ("First Part Henry IV.," act iii. sc. 3): "An
I have not forgotten what the inside of a church is made of, _I am a
pepper-corn_, a brewer's horse."
[203] A _noise_ of fiddlers is _a company or concert of them_; as in
Ben Jonson's "Epicæne," act iii. sc. 3: "The smell of the venison,
going through the street, will invite _one noise of fiddlers_ or
other."
So in "Bartholomew Fair," act iii. sc. 6: "Cry you mercy, sir; will you
buy a _fiddle_ to fill up _your noise_?"
In Marmyon's "Fine Companion," act iv. sc. 1: "He come but with a
troope of wenches, and _a noyse of fidlers_; and play thee backe like
Orpheus."
Again, in Dekker's "Belman of London," 1608, sig. G 2: "To bee up more
earely then _a noyse of shrugging fidlers_."
And in "Miscellaneous State Papers from 1501 to 1726," vol. i. p. 87:
"After the which they had a very notable banquet; the heavenly _noise_
that was there, as well with strange instruments of music as otherwise,
I cannot declare."
See also the examples in Mr Steevens's note on "Henry IV., Part II.,"
act ii. sc. 4.
[204] _i.e._, Be placed at the bottom of them, and act as the sole to
the shoe.--_Steevens._
[205] The old copy has it, _Enter Have-at-all_; but it is an obvious
error of the press.--_Collier._
[206] See note to "The Antiquary" [act i., sc. 1, vol. 13].
[207] A term anciently used in salutation, or rather in drinking.
See Selden's notes on the ninth song of Drayton's "Polyolbion," and
[Steevens's] notes on "Macbeth," act i. sc. 7, for a particular account
of the origin of this phrase.--_Steevens._
[208] [A term in fencing.]
[209] [Cartwright's adoption of the English of a period of which he
was evidently very ignorant, has made his character of "The Antiquary"
a very tedious and troublesome one. By _intermete_ we are here to
understand _intermit_; but there is no such word in early English.
_Intermit_ occurs in Coleridge's "Glossary," 1859.]
[210] To do.
Public-domain text, read in full here on John Shaqi.
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