A Select Collection of Old English Plays, Volume 14
General
A Select Collection of Old English Plays, Volume 14
English drama
[It appears from the original documents still preserved, that
Killigrew was with Prince Charles at Paris in April 1647, and
obtained from him a licence to travel, dated April 23. In 1649 he
had a grant from James, Duke of York, of the office of Gentleman
of the Bed-chamber; and from 1649 to 1652 he was engaged in
diplomatic negotiations at Vienna and Florence. His papers, as
well as those which he addressed to the Republic of Venice, are
extant. Speaking of his mission to Venice], "Although," says Lord
Clarendon,[187] "the king was much dissuaded from it, but
afterwards his majesty was prevailed upon, only to gratify him
(Killigrew) that in that capacity he might borrow money of
English merchants for his own subsistence; which he did, and
nothing to the honour of his master, but was at last compelled to
leave the Republic for his vicious behaviour, of which the
Venetian ambassador complained to the king, when he came
afterwards to Paris." On his return from Venice, Sir John Denham
wrote a copy of verses, printed in his works,[188] bantering the
foibles of his friend Killigrew who, from his account, was as
little sensible to the inconveniences of exile as his royal
master. [But the curious preface to Killigrew's Plays where,
under the thin veil of levity, so strong a vein of seriousness
seems to be perceptible, tells a different story, perhaps. He
wishes the public as much leisure to read his plays as he had to
write them--a banishment of twenty years. One of the documents
connected with the Killigrews which have come down to us, shows
that in 1660 Thomas received the freedom of the city of
Maastricht, in Holland. This was perhaps a parting compliment,
when he prepared to return to England with his royal companion in
exile. At the Restoration] he was appointed Groom of the
Bedchamber, and became so great a favourite with his majesty,
that he was admitted into his company on terms of the most
unrestrained familiarity, and at times when audience was refused
to the first ministers, and even on the most important occasions.
It does not appear that he availed himself of his interest with
the king, either to amass a fortune, or to advance himself in the
state. We do not find that he obtained any other preferment than
the post of Master of the Revels, which he held with that of
Groom of the Bed-chamber. Oldys [very foolishly and absurdly]
says he was king's jester at the same time; but although he
might, and certainly did entertain his majesty in that capacity,
it can scarce be imagined to have been in consequence of any
appointment of that kind. He died at Whitehall on the 19th of
March 1682,[189] having in 1664 published a collected edition of
his plays, viz.:--
1. The Prisoners: a Tragi-Comedy. Written at London, and acted at
the Phoenix in Drury Lane.
2. Claracilla: a Tragi-Comedy. Written in Rome, and acted at the
Phoenix in Drury Lane. [Dedicated to his dear sister, the Lady
Shannon.][190]
Public-domain text, read in full here on John Shaqi.
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