"At that time I was twenty-five years old, and was making daubs along the coast of Normandy. I call 'making daubs' that wandering about, with a bag on one's back, from mountain to mountain, under the pretext of studying and of sketching nature. I know nothing more enjoyable than that happy-go-lucky wandering life, in which you are perfectly free; without shackles of any kind, without care, without preoccupation, without thought even of to-morrow. You go in any direction you please, without any guide save your fancy, without any counselor save your eyes. You pull up, because a running brook seduces you, or because you are attracted, in front of an inn, by the smell of potatoes frying. Sometimes it is the perfume of clematis which decides you in your choice, or the naive glance of the servant at an inn. Do not despise me for my affection for these rustics. These girls have soul as well as feeling, not to mention firm cheeks and fresh lips; while their hearty and willing kisses have the flavor of wild fruit. Love always has its price, come whence it may. A heart that beats when you make your appearance, an eye that weeps when you go away, these are things so rare, so sweet, so precious, that they must never be despised. "I have had rendezvous in ditches in which cattle repose, and in barns among the straw, still steaming from the heat of the day. I have recollections of canvas spread on rude and creaky benches, and of hearty, fresh, free kisses, more delicate, free from affectation, and sincere than the subtle attractions of charming and distinguished women. "But what you love most amid all these varied adventures are the country, the woods, the risings of the sun, the twilight, the light of the moon. For the painter these are honeymoon trips with Nature. You are alone with her in that long and tranquil rendezvous. You go to bed in the fields amid marguerites and wild poppies, and, with eyes wide open, you watch the going down of the sun, and descry in the distance the little village, with its pointed clock-tower, which sounds the hour of midnight. "You sit down by the side of a spring which gushes out from the foot of an oak, amid a covering of fragile herbs, growing and redolent of life. You go down on your knees, bend forward, and drink the cold and pellucid water, wetting your mustache and nose; you drink it with a physical pleasure, as though you were kissing the spring, lip to lip. Sometimes, when you encounter a deep hole, along the course of these tiny brooks, you plunge into it, quite naked, and on your skin, from head to foot, like an icy and delicious caress, you feel the lovely and gentle quivering of the current.