Adventure and adventurers -- Fiction; Short stories
dressing-gown, flying round and round the cuddy, screeching like a
cockatoo.
</p>
<p>
“The next bump knocked her clean under the cabin table. It also started
the stern-post and carried away the rudder, and then that brute ran up a
shelving, rocky shore, tearing her bottom out, till she stopped short, and
the foremast dropped over the bows like a gangway.”
</p>
<p>
“Anybody lost?” I asked.
</p>
<p>
“No one, unless that fellow, Wilmot,” answered the gentleman, unknown to
Miss Blank, looking round for his cap. “And his case was worse than
drowning for a man. Everybody got ashore all right. Gale didn’t come on
till next day, dead from the West, and broke up that brute in a
surprisingly short time. It was as though she had been rotten at heart.” .
. . He changed his tone, “Rain left off? I must get my bike and rush home
to dinner. I live in Herne Bay—came out for a spin this morning.”
</p>
<p>
He nodded at me in a friendly way, and went out with a swagger.
</p>
<p>
“Do you know who he is, Jermyn?” I asked.
</p>
<p>
The North Sea pilot shook his head, dismally. “Fancy losing a ship in that
silly fashion! Oh, dear! oh dear!” he groaned in lugubrious tones,
spreading his damp handkerchief again like a curtain before the glowing
grate.
</p>
<p>
On going out I exchanged a glance and a smile (strictly proper) with the
respectable Miss Blank, barmaid of the Three Crows.
</p>
<p>
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<h2>
AN ANARCHIST
</h2>
<h3>
A DESPERATE TALE
</h3>
<p>
That year I spent the best two months of the dry season on one of the
estates—in fact, on the principal cattle estate—of a famous
meat-extract manufacturing company.
</p>
<p>
B.O.S. Bos. You have seen the three magic letters on the advertisement
pages of magazines and newspapers, in the windows of provision merchants,
and on calendars for next year you receive by post in the month of
November. They scatter pamphlets also, written in a sickly enthusiastic
style and in several languages, giving statistics of slaughter and
bloodshed enough to make a Turk turn faint. The “art” illustrating that
“literature” represents in vivid and shining colours a large and enraged
black bull stamping upon a yellow snake writhing in emerald-green grass,
with a cobalt-blue sky for a background. It is atrocious and it is an
allegory. The snake symbolizes disease, weakness—perhaps mere
Public-domain text, read in full here on John Shaqi.
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