Essays; Great Britain -- Social conditions -- 20th century; World War, 1914-1918 -- Great Britain
Who knows whether, even in the full whirlwind of this most gigantic
struggle, art work may not be produced which, in sum of its ultimate
effect on mankind, will outlive and outweigh the total net result of
that struggle, just as the work of Euripides, Shakespeare, Leonardo,
Beethoven, and Tolstoi outweighed the net result of the Peloponnesian,
sixteenth century, Napoleonic, and Crimean wars? War is so unutterably
tragic, because—without it—Nature, given time, would have attained the
same ends in other ways. A war is the spasmodic uprising of old savage
instincts against the slow and gradual humanizing of the animal called
man. It emanates from restless and so-called virile natures
fundamentally intolerant of men’s progress towards the understanding of
each other—natures that often profess a blasphemous belief in art, a
blasphemous alliance with God. It still apparently suffices for a knot
of such natures to get together, and play on mass fears and loyalties,
to set a continent on fire. And at the end? Those of us who are able to
look back from thirty years hence on this tornado of death will conclude
with a dreadful laugh that if it had never come the state of the world
would be very much the same.
It is not the intention of these words to deny the desperate importance
of this conflict _now that it has been joined_. Humanism and Democracy
have been forced into a sudden and spasmodic death-grapple with their
arch-enemies; and the end of that struggle must be brought into
conformity with the slow, sure, general progress of mankind. But if, by
better fortune, this fearful conflict had not been forced upon
civilization, the same victory would have made good, in course of time,
by other processes. That is the irony. For, of a surety, wars or no
wars—the future is to Humanism.
But art has no cause to droop its head, nor artists to be discouraged.
They are the servants of the future every bit as much as, and more than,
they have been the servants of the past; they are even the faithful
servants of the present, for they must keep their powers in training,
and their vision keen against the time when they are once more accounted
of. A true picture is a joy that will move hearts some day, though it
may not sell now, nor even for some years after the war; beauty none the
less “the expression of what there is best in man” because the earth is
being soaked with blood.
Public-domain text, read in full here on John Shaqi.
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