Essays; Great Britain -- Social conditions -- 20th century; World War, 1914-1918 -- Great Britain
But he gave me no answer. It was too dark now to see any face; and I had
only the feeling of passing between presences as I went along, without
getting to any turning out of that endless street. Presently, in
desperation, I doubled in my tracks.
A lamplighter must have been following me, for every lamp was lighted,
giving a faint flickering greenish glare, as might lumps of
phosphorescent matter hung out in the dark. The hungry, phantom-like
young men had all vanished, and I was wondering where they could have
gone, when I saw—some distance ahead—a sort of grayish whirlpool
stretching across the street, under one of those flickering marsh-light
looking lamps. A noise was coming from that swirl, which seemed to be
raised above the ground—a ghostly swishing, as of feet among dry
leaves, broken by the gruntings of some deep sense gratified. I went on
till I could see that it was formed of human figures slowly whirling
round the lamp. And suddenly I stood still in horror. Every other figure
was a skeleton, and between danced a young girl in white—the whole
swirling ring was formed alternately of skeletons and gray-white girls.
Creeping a little nearer still, I could tell that these skeletons were
the young men I had seen starting out of the houses as I passed, having
the same look of awful hunger on their faces. And the girls who danced
between them had a wan, wistful beauty, turning their eyes to their
partners whose bony hands grasped theirs, as though begging them to
return to the flesh. Not one noticed me, so deeply were they all
absorbed in their mystic revel. And then I saw what it was they were
dancing round. Above their heads, below the greenish lamp, a dark thing
was dangling. It swung and turned there, never still, like a joint of
meat roasting before a fire—the clothed body of an elderly man. The
greenish lamp-light glinted on his gray hair, and on his features, every
time the face came athwart the light. He swung slowly from right to
left, and the dancers whirled from left to right, always meeting that
revolving face, as though to enjoy the sight of it. What did it
mean—these sad shapes rustling round the obscene thing suspended there!
What strange and awful rite was I watching by the lamp’s ghostly
phosphorescence? More haunting even than those hungry skeletons and wan
gray girls, more haunting and gruesome, was that dead face up there with
the impress still on it of bloated life; how it gripped and horrified
me, with its pale, fishy eyes, and its neck thick-rolled with flabby
flesh, turning and turning on its invisible spit, to the sound of that
weird swishing of dead leaves, and those grunting sighs! Who was it they
had caught and swung up there, like some dead crow, to sway in the
winds? This gibbeted figure, which yet had a look of cold and fattened
power—what awful crime towards these skeleton youths and bereaved
gray-wan maidens could it be expiating?
Public-domain text, read in full here on John Shaqi.
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