There was only a narrow passage between our house and the next; walking
through it with outstretched arms you could touch the house walls on
either side. Unless you leaned quite out of the window, so high up were
we, you could not see the little dark-paved court beneath; and a close
wire screen covering the window was believed to prevent the possibility
of our looking out at all. But Willy, to whose bold, adventurous spirit
I felt my own but a feeble companion, had contrived with his
pocket-knife to undo the four screws which attached the wooden
framework of the screen to the window-frame. So that the obstacle being
at will removed, and I holding desperately to his knickerbockered legs,
the boy could look out upon the black pavement beneath, or drop a
marble from his pocket upon the head of a passer-by.
It was not the dark passage, however, which as a rule claimed our
attention, but the window exactly opposite our own. We could see quite
plainly into the room, and its occupant could see into ours.
This was a small young man with a pale face. So much I remember of him;
and the fact that the sight of prominent dark eyes and a runaway chin
always recalls to me this episode in my childhood's career, inclines me
to believe that that conformation of features was his.
The room had been empty like our own till one day a bed had been set up
in it, and a chair and a washstand; and after that the young man had
appeared.
"It isn't his play-room, it's his bedroom; he's another lodger at
Miller's," Willy informed me.
When we were not at play we used to sit at the window and watch him. He
did not go to an office, like our father. He seemed to have nothing to
do. Sometimes he stood before the window and looked across at us, but
oftenest he lay on his back on his bed and stared at the ceiling.
"I should jolly well like to have my bedroom up here, and never take
off my clothes when I go to bed," Willy said, enviously.
It is curious to remember what a new interest that silent watcher of us
gave to our gambols. It was with one eye on the pale young man at the
window that I marched to the tune of Old Bob Ridley on the field of
Waterloo; and Willy became so painfully realistic in giving me my
quietus, when I lay dying and at his mercy after the battle, that I had
to turn on my face and cry secretly, he hurt me so.
Public-domain text, read in full here on John Shaqi.
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