almost unequalled intellectual honesty, which we now get from a study
of his works.
CHAPTER VIII.
FROM GALILEI TO NEWTON.
“And now the lofty telescope, the scale
By which they venture heaven itself t’assail.
Was raised, and planted full against the moon.”
_Hudibras_
152. Between the publication of Galilei’s _Two New Sciences_ (1638)
and that of Newton’s _Principia_ (1687) a period of not quite half a
century elapsed; during this interval no astronomical discovery of
first-rate importance was published, but steady progress was made on
lines already laid down.
On the one hand, while the impetus given to exact observation by Tycho
Brahe had not yet spent itself, the invention of the telescope and
its gradual improvement opened out an almost indefinite field for
possible discovery of new celestial objects of interest. On the other
hand, the remarkable character of the three laws in which Kepler had
summed up the leading characteristics of the planetary motions could
hardly fail to suggest to any intelligent astronomer the question _why_
these particular laws should hold, or, in other words, to stimulate
the inquiry into the possibility of shewing them to be necessary
consequences of some simpler and more fundamental law or laws, while
Galilei’s researches into the laws of motion suggested the possibility
of establishing some connection between the causes underlying these
celestial motions and those of ordinary terrestrial objects.
153. It has been already mentioned how closely Galilei was followed
by other astronomers (if not in some cases actually anticipated) in
most of his telescopic discoveries. To his rival Christopher Scheiner
(chapter VI., §§ 124, 125) belongs the credit of the discovery of
bright cloud-like objects on the sun, chiefly visible near its edge,
and from their brilliancy named =faculae= (little torches). Scheiner
made also a very extensive series of observations of the motions and
appearances of spots.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account