The subject was exceptionally well chosen to draw upon his well-known
power of dramatic writing. The poem of the great American writer, Henry
W. Longfellow, from which Mr. Bennett arranged his libretto, is full of
picturesque and fanciful imagination, and furnished the composer
plentifully with scenes that enabled him to exhibit his genius at its
greatest strength.
The prologue was the medium of displaying his descriptive, as was the
epilogue of his choral writing, at its best, and what this conveys can
only, perhaps, be fully appreciated by the skilled musician. I need only
say that they were masterly displays. A striking feature in the work, is
the quaint and original manner in which the character of Lucifer is
portrayed. The music, with which he is invariably accompanied is of a
semi-sacred character, contrapuntal in construction, but which is, at
once, grotesque and eminently fitted to mark the sardonic humour of the
character that Longfellow so powerfully painted.
The numbers that are, probably, the most popular are those for the
soprano and contralto, "My Redeemer and my Lord," "Virgin who lovest the
poor and lowly," and the hymn, "O gladsome Light."
The reception accorded to "The Golden Legend" on its presentation, like
that of "The Martyr of Antioch," was enthusiastic in the extreme. It has
retained its popularity, and is usually conceded to be his masterpiece.
It is sung wherever the English language is spoken.
Of the many great singers who were associated with the composer in these
productions, I might mention the names of Titiens, Trebelli, Albani,
(Madame) Patey, Sims Reeves, Edward Lloyd and Charles Santley.
In character, Sir Arthur Sullivan was broad-minded, tolerant,
sympathetic and generous. In tastes, he was decidedly eclectic, for they
ranged from the [ae]sthetic ones of literature and painting, to the more
prosaic of racing and cards. Whatever happened to be the subject of
interest at the moment, was sure to command the enthusiastic attention
of his ever active brain.
Once, however, started on some important composition, nothing was
allowed to interfere with his complete absorption in it.
Doubtless, this was a leading factor in his success, or, at least, one
of very great importance that directly tended towards it. The process
was, undoubtedly, an exhausting one, for it constantly happened that
after the completion and production of such a one, a more or less
prolonged period of rest and diversion of thought was necessary to bring
him back to his normal state of healthy activity.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account