Page 45: changed "harpischord" to "harpsichord" (... harpsichord and organ music, ...) Page 58: changed comma to sentence-final period (... the great, but not too amiable, Mr. William Byrd.) Page 67: changed "Calvanistic" to "Calvinistic" (--Effect of Calvinistic teaching--) Page 70: changed "Calvanistic" to "Calvinistic" (... in those early Calvinistic times ...) Page 72: changed "Calvanist" to "Calvinist" (... the constant influx of Calvinist refugees ...) Page 72: changed "Calvanist" to "Calvinist" (... the spread of Calvinism ...) Page 87: changed "eminates" to "emanates" (... the country from which it emanates ...) Page 105: changed "fanatacism" to "fanaticism" (... a period if of less fanaticism, a not less fatal indifference ...) Page 106: changed "unforgetable" to "unforgettable" (... words at once typical of him, and unforgettable.) Page 108: changed "continously" to "continuously" (... the influence of the Court continuously exercised ...) Page 108: removed comma after "during" (... in store for him during the next hundred years.) Page 120: changed two instances of "Reszk['e]" to "Reszke" (... Jean de Reszke, Charles Santley and Edouard de Reszke.) Page 169: changed "Protestanism" to "Protestantism" (... the feelings and aspirations of German Protestantism.) Page 176: changed "Ondin" to "Oudin" (--"Ivanhoe"--Eug[e']ne Oudin--) Page 188: changed "chose" to "choose" (... and I will choose the one that was, ...) Page 196: changed "bann" to "ban" (... others would ban such operas altogether, ...) Page 216: changed "Halle's" to "Hall['e]'s" (... Ludwig and Waldemar Neruda, Lady Hall['e]'s sons, ...) Page 222: suspected typographical error "sane" may have been intended to read "same" (... I should think that sane conservatism, would fairly express his attitude ...) Page 243: added missing opening quotation mark (He renamed it "Rudd-i-gore.") Page 251: changed "gradua-ally", where hypenated across lines, to "gradually" (... how absolutely indifferent the public have gradually become ...) Page 270: changed "Eugene" to "Eug[e']ne" (Oudin, Eug[e']ne 191) End of Project Gutenberg's A Short History of English Music, by Ernest Ford