In recent years one of the greatest events not only in its own history,
but in the history of British music, was the first performance at the
Queen's Hall in London, of Sir Edward Elgar's first Violin Concerto on
the 10th of November, in the year 1910.
Played by Herr Kreisler and conducted by the composer, it achieved an
instantaneous success with which nothing can compare since the first
performance of the similar work of Mendelssohn's in 1844.
Its appearance was, indeed, epoch-making. It is gratifying to think that
it aroused, among the general public, an interest in the Society and its
history that had long been wanting, and with the arrival of its
centenary year, 1912, together with the many new works promised, it may
be confidently hoped that new life and vigour will be instilled into
this admirable institution.
For Mendelssohn, the Society cherishes a special regard, and no wonder,
since his interest in it and affection for it were so constantly in
evidence, and were of such practical value in raising its artistic and
financial status. In each visit that he payed to this country, in 1829,
1842, 1844, and the last in 1847, he either conducted or played for the
Society and, indeed, retained to the end of his life the keenest and
most unselfish wishes for its welfare.
Of the distinguished British musicians whose names are indelibly
associated with the history of the Society must be mentioned, among
others, Sir Sterndale Bennett (conductor), Sir Arthur Sullivan
(conductor), Sir Hubert Parry, Sir Alexander Mackenzie (conductor), Sir
Charles Stanford, and Sir Frederick Cowen (conductor).
During the past two decades or longer, the Society has been fortunate
enough to have as its leading officials Mr. Francesco Berger,[25] a
distinguished musician whose whole life has been devoted to high
ideals, and Dr. W. H. Cummings, without whose valuable assistance it is
doubtful whether the Society could have successfully resisted certain
years of trial and stress.
It is unnecessary to further insist on the great services rendered to
the country by the Philharmonic Society.
Public-domain text, read in full here on John Shaqi.
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