For many years Mr. Jas. Ramsay Dow was not only the honorary secretary, but the principal flute player in the band, during which time Mr. George Mount was conductor. Upon the death of the former, Mr. Henry M. Morris succeeded him, and upon his retirement Mr. Hermann Schmettau accepted and still, happily, retains the position. Mr. Arthur W. Payne is the able conductor. The initial difficulties of these older societies were mainly twofold, the finding of a sufficient number of more or less adequate players, and the money necessary to finance them. The latter, of course, involved the constant search after subscribers and the paying audiences that so persistently eluded their efforts. The music performed at the concerts was restricted both by the limitations of the technical resources of the players, and the taste of such people as could be drawn to listen to it. In process of time, and by dint of perseverance, these limitations were, more or less, overcome, and as the performances improved, so increasing audiences were attracted to more pretentious efforts. Even after twenty-five years' patient work the general public remained indifferent, in the most part, to their claims to recognition, and it is only within the last few years that it has dawned on the average music lover that there could be any real merit in the playing of amateur orchestras. At the time of my early association with one of them, not only were the audiences confined mainly to friends of the players, but the performances were looked at askance by critic and professional musician alike. No prominent virtuoso would dream of playing a concerto or similar piece in conjunction with it, and on the appearance of such a one at a concert, the accompaniments were invariably played on the piano. Eventually patience and combined effort on the part of all, were effective in so far bringing about a change that the appearance of eminent artists, and their playing of concerted works, became a regular feature of the concerts, and numerous letters I have at various times received, testify to their appreciation of the efficiency of the work done by the band. Similar results have doubtless, been experienced by most of the more prominent of these orchestras throughout the country. But while cordially admitting the progress made by them, it must be recognised that the difference between the performance of an amateur band, however worthy, and that of a modern professional orchestra must ever remain abysmal. This will be easily understood when it is remembered that while most members of the latter are not only expert players, but educated musicians, the amateur, on the other hand, is more often than not, a player of humble attainment, whose knowledge of music, limited by the small amount of time that can be devoted to the subject, is necessarily superficial.