A Short History of English Printing, 1476-1898Plomer, Henry R. (Henry Robert)
History
A Short History of English Printing, 1476-1898
Plomer, Henry R. (Henry Robert)
England -- Imprints; Printing -- England -- History
On the accession of Charles I. plague paralysed trade and made gaps in
the ranks of the Stationers' Company. During the autumn of 1624 and the
following year several noted printers died, probably from this cause.
Chief among these were George Eld, Edward Aide, and Thomas Snodham. Eld
was succeeded by his partner, Miles Flessher or Fletcher, and Aide by
his widow, Elizabeth. Thomas Snodham had inherited the business of
Thomas East. The copyright in these passed to William Stansby, one of
his executors; but the materials of the office, that is the types,
woodcut letters, and ornaments, and the presses, were sold to William
Lee for £165, and shortly afterwards passed into the possession of
Thomas Harper. They included a fount of black letter, and several founts
of Roman and Italic of all sizes, and one of Greek letter, all of which
had belonged to Thomas East, and were by this time the worse for wear.
But the plague was at the worst only a temporary hindrance; the
censorship of the press the printers had always with them, and this,
which had been comparatively mildly used during the late reign, was now
in the hands of men who wielded it with severity. During the next
fifteen years the printers, publishers, and booksellers of London were
subjected to a persecution hitherto unknown. During that time there were
few printers who did not know the inside of the Gatehouse or the
Compter, or who were not subjected to heavy fines. For the literature of
that age was chiefly of a religious character, and its tone mainly
antagonistic to Laud and his party. All other subjects, whether
philosophical, scientific, or dramatic, were sorely neglected. The later
works of Bacon, the plays of Shirley and Shakerley Marmion, and a few
classics, most of which came from the University presses, are sparsely
scattered amongst the flood of theological discussion. The history of
the best work in the trade in London is practically the history of three
men--John Haviland, Miles Fletcher, and Robert Young, who joined
partnership and, in addition to a share in the Royal printing-house,
obtained by purchase the right of printing the _Abridgements to the
Statutes_, and bought up several large and old-established
printing-houses, such as those of George Purslowe, Edward Griffin, and
William Stansby. Bernard Alsop and Thomas Fawcett were also among the
large capitalists of this time, while Nathaniel Butter, Nicholas
Bourne, and Thomas Archer were also interested in several businesses
beside their own. From the press of Haviland came editions of Bacon's
_Essays_, in quarto, in 1625, 1629, 1632; of his _Apophthegmes_, in
octavo, in 1625; of his _Miscellanies_, an edition in quarto, in 1629,
and his _Opera Moralia_ in 1638. From the press of Fletcher came the
_Divine Poems_ of Francis Quarles, in 1633, 1634, and 1638, and the
_Hieroglyphikes of the life of Man_, by the same author, in 1638; while
amongst Young's publications, editions of _Hamlet_ and _Romeo and
Public-domain text, read in full here on John Shaqi.
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