looks on life with a kind of ironical enjoyment, and the three books of his _Essays_ might be described as a vast gallery of pictures illustrating the results of his contemplations. There are some considerable differences between the earlier and later _Essays_, one of the most obvious of which concerns the point of length. Thus the first book consists of fifty-seven essays, occupying rather more than 500 pages[214], or an average of less than ten pages each. The second (exclusive of the long 'Apologie de Raymond Sebonde,' which occupies 300 pages by itself) contains thirty-six essays, of nearly 500 pages in all, or about twelve pages each. These books were published together, and may be presumed to have been written more or less at the same time. But the third and last book, though it contains full 550 pages, has only thirteen essays, which thus average more than forty pages each, though their length is very unequal. Montaigne had, no doubt, found that his pillar-to-post method of discourse was sufficiently attractive to make fresh starting-points and definite titles unnecessary; thus in the third book, his subjects (at least his professed subjects) are sometimes much wider, and sometimes much more whimsical, than in the two first. Oedipus himself could hardly divine the actual subject of the essay 'Sur des Vers de Virgile,' or guess that a paper 'Sur les Coches' would in reality busy itself with the question what virtues are most proper to a sovereign. On the other hand, such large titles as 'De la Vanite de l'Experience,' etc. give room for almost any and every excursion. All these are in the last book; the shorter essays of the two first for the most part deal more definitely with their nominal subjects, which are most frequently moral brocards: such as 'Le Profit de l'Un est Dommage de l'Autre,' 'Par Divers Moyens on arrive a Pareille Fin,' etc.