Impatience and pinpricks were, indeed, the causes of popular irritation, rather than any such crisis as those of the autumn of 1914 or the spring of 1918. Such irritants are, however, apt to provoke more resentment and provide more scope for recrimination than the stunning blows of national disaster; and in the autumn of 1916 the people felt less need of restraint than in the more perilous moments of the war. The discontent was not due to any particular causes, nor was it confined to any particular country. It was a malaise produced by the fact that the war was lasting longer and costing more than people had expected, and by popular reluctance to believe that Britons could not have beaten the Germans sooner but for the feebleness of their leaders. The public needed a stimulant other than that which mere prudence could provide; and catch-penny journals, having hunted in vain for a dictator, found at least a victim in the Cabinet of twenty-three. It was not an ideal body for prompt decision, and its chief seemed almost as slow at times to take action that was necessary as he was to commit the irretrievable blunders urged on him by his journalistic mentors, who thought the wisdom of a step immaterial provided it was taken at once. He had other qualities which disqualified him for popular favour in a time of popular passion. He was not emotional, and did not respond to the varying moods of the hour with the versatility demanded by the experts in daily sensation. He belonged to an older school of politicians who suffered, like our armies in the field, from the newer and possibly more scientific methods of their foes. He was scrupulous in his observance of accepted rules of conduct, and the charge which was pressed against him most was that of excessive loyalty. He did not intrigue against his colleagues for newspaper support, nor publicly criticize his Government's commanders in the field. He put what success his Cabinet achieved to its common credit, and took the chief responsibility for its failures himself. He was staid in adversity but slow in advertisement, and he did not figure in the cinema.