A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
The largest compass for the first _Unity_ is Twenty Four Hours: But a
lesser proportion is more regular. To be exact, the Time of the History, or
_Fable_, should not exceed that of the _Representation_: Or in other words,
the whole Business of the _Play_, should not be much longer than the Time
it takes up in _Playing_.
The Second _Unity_ is that of _Place_. To observe it, the _Scene_ must not
wander from one Town, or Country to another. It must continue in the same
House, Street, or at farthest in the same City, where it was first laid.
The Reason of this Rule depends upon the _First_. Now the Compass of _Time_
being strait, that of _Space_ must bear a Correspondent Proportion. Long
journeys in _Plays_ are impracticable. The Distances of _Place_ must be
suited to Leisure, and Possibility, otherwise the supposition will appear
unnatural and absurd. The
Third _Unity_ is that of _Action_; It consists in contriving the chief
Business of the _Play_ single, and making the concerns of one Person
distinguishably great above the rest. All the Forces of the _Stage_ must as
it were serve Under one _General_: And the lesser Intrigues or Underplots,
have some Relation to the Main. The very Oppositions must be useful, and
appear only to be Conquer'd, and Countermin'd. To represent Two
considerable Actions independent of each other, Destroys the beauty of
Subordination, weakens the Contrivance, and dilutes the pleasure. It splits
the _Play_, and makes the _Poem_ double. He that would see more upon this
subject may consult _Corneille_.[431] To bring these Remarks to the Case in
hand. And here we may observe how the _Relapser_ fails in all the _Rules_
above mention'd.
_1st._ His _Play_ by modest Computation takes up a weeks Work, but five
days you must allow it at the lowest. One day must be spent in the First,
Second, and part of the Third _Act_, before Lord _Foplington_ sets forward
to Sir _Tun-belly_. Now the Length of the Distance, the Pomp of the
Retinue, and the Niceness of the Person being consider'd; the journey down,
and up again, cannot be laid under four days.[432] To put this out of
doubt, Lord, _Foplington_ is particularly careful to tell _Coupler_, how
concern'd he was not to overdrive _for fear of disordering his
Coach-Horses_. The Laws of _Place_, are no better observ'd than those of
_Time_. In the Third _Act_ the _Play_ is in _Town_, in the Fourth _Act_
'tis stroll'd Fifty Miles off, and in the Fifth _Act_ in _London_ again.
Here _Pegasus_ stretches it to purpose! This _Poet_ is fit to ride a Match
with Witches. _Juliana Cox_ never Switched a Broom stock with more
Expedition! This is exactly
_Titus_ at _Walton Town_, and _Titus_ at _Islington_.
One would think by the probability of matters, the _Plot_ had been stolen
from Dr. _O----s_.
Public-domain text, read in full here on John Shaqi.
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