A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Thus we see how hearty these People are in their Ill Will! How they attack
Religion under every Form, and pursue the Priesthood through all the
Subdivisions of Opinion. Neither _Jews_ nor _Heathens, Turks_ nor
_Christians_, _Rome_ nor _Geneva_, _Church_ nor _Conventicle_, can escape
them. They are afraid least Virtue should have any Quarters undisturbed,
Conscience any Corner to retire to, or God be Worship'd in any Place. 'Tis
true their Force seldom carries up to their Malice: They are too eager in
the Combat to be happy in the the Execution. The Abuse is often both gross
and clumsey, and the Wit as wretched as the Manners. Nay Talking won't
always satisfy them. They must ridicule the _Habit_ as well as the
Function, of the Clergy. 'Tis not enough for them to play the Fool unless
they do it in _Pontificalibus_. The Farce must be play'd in a Religious
Figure, and under the Distinctions of their Office! Thus the Abuse strikes
stronger upon the sense; The contempt is better spread, and the little
_Idea_ is apt to return upon the same Appearance.
And now does this Rudeness go upon any Authorities? Was the Priesthood
alwaies thought thus insignificant, and do the Antient Poets palt it in
this Manner? This Point shall be tried, I shall run through the most
considerable Authors that the Reader may see how they treat the Argument.
_Homer_ stands highest upon the Roll, and is the first Poet both in Time,
and Quality; I shall therefore begin with him. Tis true he wrote no
_Plays_; but for Decency, Practise, and general Opinion, his Judgment may
well be taken, Let us see then how the _Priests_ are treated in his _Poem_,
and what sort of Rank they hold.
_Chryses Apollo_'s Priest appears at a Council of War with his Crown and
guilt Scepter. He offers a valuable Ransom for his Daughter; and presses
his Relation to _Apollo_. All the Army excepting _Agamemnon_ are willing to
consider his Character, and comply with his Proposals. But this _General_
refuses to part with the Lady, and sends away her Father with disrespect.
_Apollo_ thought himself affronted with this Usage, and revenges the
Indignity in a Plague.
[Greek: Houneka ton Chrysên êtimês' arêtêra][228]
[Greek: Atreidês.]
_Adrastus_ and _Amphius_ the Sons of _Merops_ a _Prophet_, commanded a
considerable extent of Country in _Troas_,[229] and brought a Body of Men
to King _Priam's_ Assistance.[230] And _Ennomus_ the Augur commanded the
Troops of _Mysia_ for the Besieged.
_Phegeus_ and _Idæus_ were the Sons of _Dares_ the Priest of _Vulcan_.[231]
They appear in an Equipage of Quality, and charge _Diomedes_ the third Hero
in the _Grecian_ Army. _Idæus_ after the Misfortune of the Combat, is
brought off by _Vulcan_. _Dolopion_ was _Priest_ to _Scamander_,[232] and
regarded like the God he _Belong'd_ to,
[Greek: Theos d' hôs tieto dêmô.][233]
Public-domain text, read in full here on John Shaqi.
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