A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
The Lines of Virtue and Vice are Struck out by Nature in very Legible
Distinctions; They tend to a different Point, and in the greater Instances
the Space between them is easily perceiv'd. Nothing can be more unlike than
the Original Forms of these Qualities: The First has all the sweetness,
Charms, and Graces imaginable; The other has the Air of a _Post_ ill Carved
into a _Monster_, and looks both foolish and Frightful together. These are
the Native Appearances of good and Evil: And they that endeavour to blot
the Distinctions, to rub out the Colours, or change the Marks, are
extreamly to blame. 'Tis confessed as long as the Mind is awake, and
Conscience goes true, there's no fear of being imposed on. But when Vice is
varnish'd over with Pleasure, and comes in the Shape of Convenience, the
case grows somewhat dangerous; for then the Fancy may be gain'd, and the
Guards corrupted, and Reason suborn'd against it self. And thus a
_Disguise_ often passes when the Person would otherwise be stopt. To put
_Lewdness_ into a Thriving condition, to give it an Equipage of Quality,
and to treat it with Ceremony and Respect, is the way to confound the
Understanding, to fortifie the Charm, and to make the Mischief invincible.
Innocence is often owing to Fear, and Appetite is kept under by Shame; But
when these Restraints are once taken off, when Profit and Liberty lie on
the same side, and a Man can Debauch himself into Credit, what can be
expected in such a case, but that Pleasure should grow Absolute, and
Madness carry all before it? The _Stage_ seem eager to bring Matters to
this Issue; They have made a considerable progress, and are still pushing
their Point with all the Vigour imaginable. If this be not their Aim why is
_Lewdness_ so much consider'd in Character and Success? Why are their
Favourites Atheistical, and their fine Gentleman debauched? To what purpose
is _Vice_ thus prefer'd, thus ornamented, and caress'd, unless for
Imitation? That matter of Fact stands thus, I shall make good by several
Instances: To begin then with their Men of Breeding and Figure.
_Wild-blood_ sets up for _Debauchery_, Ridicules Marriage, and Swears by
_Mahomet_.[287] _Bellamy_ makes sport with the Devil,[288] and _Lorenzo_ is
vitious and calls his Father _Bawdy Magistrate.[289] Horner_ is horridly
Smutty, and _Harcourt_ false to his Friend who used him kindly.[290] In the
_Plain Dealer_ _Freeman_ talks coarsely, cheats the Widdow, debauches her
Son, and makes him undutiful. _Bellmour_ is Lewd and Profane,[291] And
_Mellefont_ puts _Careless_ in the best way he can to debauch _Lady
Plyant_.[292] These _Sparks_ generally Marry up the Top Ladys, and those
that do not, are brought to no Pennance, but go off with the Character of
Fine Gentlemen: In _Don-Sebastian_, _Antonio_ an Atheistical Bully is
rewarded with the Lady _Moraima_, and half the _Muffty_'s Estate.
_Valentine_ in _Love for Love_ is (if I may so call him) the Hero of the
Public-domain text, read in full here on John Shaqi.
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