A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
he would be but laughed at for his Folly. No Conclusions can exceed the
Evidence of their Principles; you may as well build a Castle in the Air, as
raise a Demonstration upon a Bottom of Uncertainty. And is any Man so vain
as to pretend to know the Extent of Nature, and the Stretch of Possibility,
and the Force of the Powers Invisible? So that notwithstanding the Boldness
of this _Opera_, there may be such a Place as Hell; And if so, a Discourse
about Devils, will be no _Fairy way of Writing_. For a _Fairy way of
Writing_, is nothing but a _History of Fiction_; A subject of Imaginary
Beings; such as never had any existence in Time, or Nature. And if as
Monsieur _Rapin_ observes, _Poetry_ requires a mixture of Truth and
_Fable_; Mr. _Dryden_ may make his advantage, for his _Play_ is much better
founded on Reality than He was aware of.
It may not be improper to consider in a word or two, what a frightfull Idea
the _Holy Scriptures_ give us of Hell. 'Tis describ'd by all the
Circumstances of Terror, by every Thing dreadful to Sense, and amazing to
Thought. The Place, the Company, the Duration, are all Considerations of
Astonishment. And why has God given us this solemn warning? Is it not to
awaken our Fears, and guard our Happiness; To restrain the Disorders of
Appetite, and to keep us within Reason, and Duty? And as for the _Apostate
Angels_, the _Scriptures_ inform us of their lost Condition, of their
Malice and Power, of their active Industry and Experience; and all these
Qualities Correspondent to the Bulk of their Nature, the Antiquity of their
Being, and the Misery of their State. In short, They are painted in all the
formidable Appearances imaginable, to alarm our Caution, and put us upon
the utmost Defence.
Let us see now how Mr. _Dryden_ represents these unhappy Spirits, and their
Place of Abode. Why very entertainingly! Those that have a true Tast for
Atheism were never better regaled. One would think by this _Play_ the
Devils were meer Mormo's and Bugbears, fit only to fright Children and
Fools. They rally upon Hell and Damnation, with a great deal of Air and
Pleasantry; and appear like _Robin Good-fellow_, only to make the Company
laugh. _Philidel_: Is call'd a _Puling Sprite_. And why so? For this pious
reason, because
_He trembles at the yawning Gulph of Hell,
Nor dares approach the Flames least he should Singe
His gaudy silken Wings.
He sighs when he should plunge a Soul in Sulphur,
As with Compassion touch'd of Foolish Man_.[370]
The answer is, _What a half Devil's he_.
Public-domain text, read in full here on John Shaqi.
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