She retired early to her chamber; and her woman observing that she appeared much agitated, inquired if she was ill? To this she returned a short answer in the negative, and her woman was soon afterwards dismissed. But she had hardly shut the door of the room when she heard her lady's voice recalling her. She returned, and received some trifling order, and observed that Maria looked uncommonly pale; there was besides a wildness in her eyes which frightened her, but she did not dare to ask any questions. She again quitted the room, and had only reached the extremity of the gallery when her mistress's bell rang. She hastened back, Maria enquired if the marquis was gone to bed, and if all was quiet? Being answered in the affirmative, she replied, 'This is a still hour and a dark one!--Good night!' Her woman having once more left the room, stopped at the door to listen, but all within remaining silent, she retired to rest. It is probable that Maria perpetrated the fatal act soon after the dismission of her woman; for when she was found, two hours afterwards, she appeared to have been dead for some time. On examination a wound was discovered on her left side, which had doubtless penetrated to the heart, from the suddenness of her death, and from the effusion of blood which had followed. These terrible events so deeply affected Emilia that she was confined to her bed by a dangerous illness. Ferdinand struggled against the shock with manly fortitude. But amid all the tumult of the present scenes, his uncertainty concerning Julia, whom he had left in the hands of banditti, and whom he had been withheld from seeking or rescuing, formed, perhaps, the most affecting part of his distress. The late Marquis de Mazzini, and Maria de Vellorno, were interred with the honor due to their rank in the church of the convent of St Nicolo. Their lives exhibited a boundless indulgence of violent and luxurious passions, and their deaths marked the consequences of such indulgence, and held forth to mankind a singular instance of divine vengeance. CHAPTER XVI In turning up the ground of the cell, it was discovered that it communicated with the dungeon in which Ferdinand had been confined, and where he had heard those groans which had occasioned him so much terror. The story which the marquis formerly related to his son, concerning the southern buildings, it was now evident was fabricated for the purpose of concealing the imprisonment of the marchioness. In the choice of his subject, he certainly discovered some art; for the circumstance related was calculated, by impressing terror, to prevent farther enquiry into the recesses of these buildings. It served, also, to explain, by supernatural evidence, the cause of those sounds, and of that appearance which had been there observed, but which were, in reality, occasioned only by the marquis.