Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
That was one of his out of season quotations, for the dignified old
party was no hell-hound, but MacIlhenny had just been discussing
Macbeth, and showing how poorly Mr. Booth understood that character,
admitting that the “laddie did his best, and meant well, still he
(MacIlhenny) was the one man living who had got _inside_ the part”!
Well along in the season, one of the actors was to take a benefit,
and as he was not much of a favorite with the public, he was greatly
worried about arranging an attractive “bill.” Perhaps I should say
that when one takes “a benefit” the fact is announced on the theatre’s
bills. The “beneficiary” has the privilege of selecting the play for
that special performance, and on that one night, he or she receives
one-half, or one-third of the gross receipts of the house, by which he
is benefited (perhaps), hence the term, “To take a benefit!”
A couple of weeks before, at the “leading” man’s benefit, there had
been several volunteers, among them the manager’s young daughter, who
sang for him, and in MacIlhenny’s presence, the worried actor was
mourning because there was no one to volunteer to assist him, when
up rose Sandy MacIlhenny and offered _his_ services. Those who were
farthest away writhed in quiet laughter, while those who were near
him suffered silently. In that silence the stonecutter read dread of
a rival, and he hastened to dispel all anxiety by saying, soothingly:
“Don’t misunderstand me, young man! You have nothing to fear! I do not
ask to play a ‘part’ in your play--since the public could then have
neither eye nor ear for any man but me--and I’d not extinguish anyone’s
light on his benefit--but I’ll do a recitation or a reading-like, for
you--so ‘Put money in thy purse, Cassio,’ and not injure your standing
as an actor!”
It was a trying moment. They liked the funny, old chap, and did not
wish to hurt his feelings--but good Heavens! the idea of turning him
loose before an audience! Again came the voice of MacIlhenny, with the
inevitable quotation: “Why whisper you--and answer not, my lords?”
A laugh followed, and the tormented actor asked: “Well, Sandy man, what
on earth do you propose to read or recite?”
“Why,” answered he, “since you will be doing a tragedy, and I have no
wish to outshine you in any way, I’ll just give them the ‘Trial Scene’
from ‘Pickwick.’”
Public-domain text, read in full here on John Shaqi.
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