Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
As this figure of fun appeared, there was a ripple of laughter, and
in a few minutes--in the expressive slang of to-day--the audience
were “on” to him. The laughter grew and grew--and then that strange
_strain_ of cruelty, that has come down to us from our ancient
barbaric forefathers, and is so much easier to arouse in a crowd than
in a single individual, was all alive. They thought they recognized
a victim, and they rose to the occasion. They _baited_ him; they
bombarded him with satirical applause; they demanded certain passages
over again; they addressed him as Mr. Buz-fuz, and they had just
reached the point of throwing things when the reading ended.
As MacIlhenny had no sense of the ridiculous, he could not distinguish
the difference between being laughed _at_ and being laughed _with_,
so it was all like fragrant incense to him, and he came off the stage,
his crossed eyes blazing at the bridge of his nose, on each cheek bone
a spot of scarlet and a burr on his tongue that made his first words of
triumph utterly incomprehensible to those about him. Two of us there
were who drew aside, and pitying him, spoke him fair and respectfully,
but the others, meaning no harm, carrying on a jest, congratulated him
extravagantly, and when he went out from the theatre that night the
promise of the gods had been fulfilled, for MacIlhenny was literally
mad!
He never did another stroke of work. His kit of tools became strangers
to him. He touched chisel and mallet but once more, and that was when
he pawned them that he might buy a play-book, and a little bread, with
which to quiet for a moment the two devils who tormented him, one
gnawing in his brain, the other at his stomach.
In going to and from the theatre I passed the tiny, three-roomed
cottage the MacIlhennys occupied, and morning and evening I could hear
his high, rasping voice declaiming, ranting, pouring forth pages of old
plays, while through the window I could see him brandishing a poker for
a sword, and wildly rumpling his little, red flounce of hair whenever
he pronounced a curse--whether he was Lear or Richelieu or Sir Giles,
it mattered not, he dragged all curses from the roots of his thin, red
hair.
Poor Mrs. Sandy had descended from her former state of bombazine,
and was daily seen in black cotton, going out to jobs of washing or
office-cleaning, so her neighbors told me. And once, when they missed
her comfortable blanket-shawl and noticed that she shivered through the
streets in an old Stella shawl, which was a creation of thin cashmere
meant for summer only, they rashly spoke the sympathy they felt, and
their condemnation of MacIlhenny’s course.
Public-domain text, read in full here on John Shaqi.
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