Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
And I knelt at the coffin’s side and prayed for this good and faithful
servant and friend. A little later I stood on the porch, and through
blinding tears saw my husband a second time walk with bared head by
“Old John’s” side--a second time escorting him to a home.
So he passed out of my life, but never will he pass from my memory.
Though he left us without “warning,” and asked for no “recommendation,”
we cannot complain, since he “bettered” himself in following the
summons of the Great Master.
Black Watch
Black Watch
That old, black “Watch” believed himself the general superintendent
of John Tyler’s “back-wood” farm, as well as the guardian of his
family, no one could doubt who noticed his busy self-importance, from
the candle-light breakfast till the eight o’clock retirement of the
family. Then, only, he felt free to visit the secret repository of the
few bones he had acquired, or to take a run down the road, and through
the woods, to pick a fight with the only dog of his weight to be found
within a ten-mile radius.
I should not like to say, off-hand, just what breed “Watch”
represented, but he was black all over--was short-haired, heavy-built,
and mastiff-like in head and chest. One ear had been injured in a fight
with city dogs, and it lopped helplessly ever after, while the good ear
seemed doubly quick and perky by comparison.
Now, it was this faithful creature’s clear, brown eyes that were first
to discover something wrong about young Mrs. Tyler. I don’t suppose
he knew she had worked to the breaking point--that five babies, with
barely a year separating one birth-day from another, were enough to
break the high ambition with which she had begun her life, here in the
woods, helping in rough, out-door work, as well as trying to make a
comfortable home for her husband. And now, that another little one was
expected, her songs had ceased, and often, she would, in the midst of
her work, stop and stand, with eyes fixed on vacancy, a heavy frown on
her face that had always before been so bright and kindly in expression.
“Watch,” alone, noticed this. The children were too little, and John
Tyler too busy, and the brown eyes would study the clouded face until
he could bear his trouble in silence no longer, and he would whimper,
and push his cold, damp nose into her hand, but instead of the pat he
expected, he several times received a sharp rebuke that made him lower
head and tail and retire fully five feet from her, where he sat and
rapped out a faint, deprecating “tattoo” on the bare floor with his
tail.
Sometimes he would rush out and find his master, and climb up and put
his paws on his breast and whine, and look back at the house, and John
would say: “What the deuce is the matter, ‘Watch’? I don’t know what
you want!” and the man that “helped” would say: “Oh, he’s got something
tree’d, I s’pose, and wants you to go help him!”
Public-domain text, read in full here on John Shaqi.
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