Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
he had, with rustic, bashful awkwardness, “reckon’d he was a plumb fool
at talkin’, and would she please just not count that in at all?” and
so had left her safely at her kitchen-door, while “Watch,” dropping
the work-basket he had carried home, escorted the young man a short
distance down the road, then, taking a jaunty farewell of him, gave
himself up to a careful and thorough smelling of apparently the entire
farm and all its implements. Of course it was troublesome, but it was
the only trustworthy way of finding exactly what had been done during
his absence and that of his master.
Late that night, John Tyler, tired, chilled and anxious, drove home,
and was met some distance down the road by old, black “Watch,” carrying
a lighted lantern, and prancing and plunging about so joyously that the
lantern light seemed like some small animal running along the road,
gliding under bushes, even darting up tree trunks occasionally in its
efforts to escape the pursuing dog. The man was surprised, for he
felt that only his wife would have given “Watch” that light, and the
surprise was pleasant to him.
Then he unharnessed, watered, fed and bedded down the weary horses,
eagerly assisted by “Watch,” who seemed to be in absolutely puppyish
high spirits. Why, even when he had with such frantic violence declared
the presence of a burglar in the far corner where the harness hung and
Mr. Tyler was compelled to pull down and show to him the old blanket he
was mistaking for a burglar (a thing he had never seen in his life and
only heard of from a city dog following his master’s buggy the summer
before)--even then he was neither humiliated nor cast down, but had, as
was his wont, slid into the stall of gray “Billy” (the oldest and best
horse on the place), and, standing up by the manger, proceeded, with
both paws, to dig for some sort of small game in “Billy’s” shoulder.
Then the horse laid back his ears, opened his mouth and bit at “Watch,”
who bit back at him--their teeth sometimes clicking sharply together,
to their seeming great delight. And this continued until the low
whistle of the man separated the friends and play-fellows, and master
and dog went to the house together, leaving the closed stable filled
with humble rustic music, the rhythmic, melodious expression of utter
content, of comfort won, that is produced by the crunch--crunch--crunch
of great, white teeth grinding silvery-yellow oats or crushing the
brittle sweetness of the orange-colored corn. Listen! Count! One,
two, three, crunch--crunch--crunch, now a long, deep, soft sigh, then
crunch--crunch--crunch!
At the house John met another surprise. He had expected to hunt about
in semi-darkness for the bread-crock and the butter or molasses, or
anything almost, and take a “cold bite,” and go to bed, but here was
as good a supper ready for him as the limited contents of their very
primitive larder would allow, and oh!--crowning grace of an American
farmer’s meal--it was hot!
Public-domain text, read in full here on John Shaqi.
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