Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The other woman (she who sighed to wear black), moving slowly and
heavily, wondered why neither the bright, warm sun nor the heavy,
handsome camel’s-hair shawl in which, to the surprise of her neighbors,
she was closely wrapped this warm day, could conquer that little,
creeping chill in her blood that every now and then developed into a
shiver. But she gave that matter scant thought. Weary and dull to her,
the very bells seemed to ring out over and over again the one word,
“A-lone! A-lone!”
She had her comfortable, even handsome, home; ample means to keep it
up, but it was so empty! There was no one to watch for, to dress for,
to plan for, cook for! No one to give her greeting, or loving thanks
for loving service. She was utterly alone, and she was only forty-four,
and might live--good God! how long? If it were not unlawful so to do,
she would kneel here in the church she was entering and pray to die at
once, that she might fill her appointed place between her husband and
her son, and be at rest.
With such thoughts, these women approached the church and each other.
Foolish, wicked thoughts, you say. Perhaps, but for a woman who is
growing old, whose heart is bleeding from many wounds, it is so hard
a thing to face the great world alone. But so it came about that as
Mrs. Martha Swift, of Ohio, sat in pew 71, an usher waved into pew 72
Mrs. Marion Wallace, of Georgia, who was no sooner comfortably seated
than a quick shiver shaking the shoulders of the woman in front of
her drew her attention to the shoulders and to the shawl about them.
And then an odd thing happened. Her glance, at first a merely casual
one, had quickly intensified into a prolonged and piercing stare. Then
she had raised her veil and studied the shawl as if it had been the
horoscope of one she loved; studied it until from the seeming confusion
of the innumerable morsels of rich, dim colors tossed together, there
came order and a clear design. Then, to the wonderment of two or three
observers, she drew off her glove and, leaning forward, passed her bare
forefinger eagerly along the edge of that bit of solid color always
found in the centre of these precious shawls; did it carefully, as does
a woman who searches for some faint stain or mark, and suddenly the
blood rushed to her face; she drew back swiftly into her place, resumed
her glove, but from “Dearly Beloved,” clear through to “Let Your Light
so Shine,” she never took her eyes from that shawl in front of her.
Public-domain text, read in full here on John Shaqi.
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