In truth, any letter from St. Penfer at this period of Denasia's life
hurt her. She longed for her own people. She felt heart-sick for a
word from them. In some moment of confidence or ill-temper, Roland had
given his wife his own version of the visit to his mother-in-law. And
whatever else he remembered or forgot, he was clear and positive about
Joan's message to her daughter. She had broken her good father's life
in two and her mother was sorry she had ever given her suck. Denasia
knew her mother's passionate nature, and she could understand that
some powerful aggravation had made her speak so strongly, but the
words, after all allowances, were terrible words. They haunted her in
the midst of her professional excitements, and still more in the
solitude of her frequently restless nights.
And if Joan had felt this a year ago, Denasia knew that she now felt
much more bitterly; for in one of her letters to Roland Elizabeth had
written freely of the passionate anger of John Penelles when he
learned that his daughter had become a public dancer. Indeed,
Elizabeth affected to think it very cruel of Denasia to send to her
old ignorant parents the illustrated paper which contained her picture
in the dance act. She thought Denasia's vanity had overstepped all
bounds and become positive cruelty, etc., etc. And Denasia, in a
passion which matched any outbreak of her father's, vowed not only
that she had never sent such a paper to St. Penfer, but that Elizabeth
herself must have been the perpetrator of the cruelty, unless--and she
then gave Roland a glance which made him wonder where his willing and
obedient Denasia of former days had gone.
In all essential points this story was a false one. It was indeed true
that some person had sent to the Penelles cottage a London paper, in
which there was a large picture of Denasia and the admiral dancing the
famous hornpipe. But the manner of its reception was matter of
speculation only, and the speculative had founded their tale upon the
known hastiness of John and Joan's tempers, without taking into
consideration the presence of unknown influences.
As it happened, the pictured girl was received in the St. Penfer
post-office during a storm. John had been called in the grey dawn to
the life-boat, and Joan, in spite of wind and rain, went down to the
beach with him. With a prayer in her heart, she saw him buckle on his
buoyant armour and set his pale blue oar like lance athwart his rest,
and then make straight out into the breakers that dashed and surged
around. Joan saw the boat's swift forward leaping, its downward plunge
into the trough of the sea, its perilous uplifting, its perpendicular
rearing, its dread descent. And John felt its human reel and shudder,
its desperate striving and leaping and plunging, and its sad
submission when the waters half filled it and the quivering men clung
for very life under the deluge pouring over them.
Public-domain text, read in full here on John Shaqi.
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