The young Contessa Violante, when she reached the age of young-ladyhood,
had not the "fatal gift of beauty." Some people think that such a
deprivation is the most unfortunate from which a woman can suffer.
Others maintain that the absence of beauty is, upon the whole, no real
misfortune. But however philosophers may settle this question, it can
hardly be doubted that no young girl devoid of beauty, was ever yet
persuaded that to be unattractive in appearance, was otherwise than a
very, very sore affliction and misfortune. Nature often kindly mitigates
the blow by making the unlovely girl unconscious of her want of beauty.
But this was not the case with the young Contessa Violante Marliani.
Violante knew that she was not beautiful, or even pretty. Probably in
her own estimate of herself she exaggerated her plainness. She was one
of those persons who have not the gift of self-deception. Neither was
she elegant in person. And yet there was something about her bearing,
which would have prevented any one from imagining that she was other
than a high-born lady. There was strong evidence of intellect in her
face; and it was doubtless from within that came that quiet dignity of
bearing that marked her.
And it was a dignity compatible and combined with the most perfect
gentleness and almost humility of manner;--a dignity arising not from
the consciousness of any high position or high qualities, but from the
consciousness of that sort of gentle passive strength, which knows that
no external circumstance, or difficulty, or pressure will avail to make
its owner step but a hair's breadth aside from the path which conscience
has marked as that of right and duty.
Violante was tall and slender, but her figure was not graceful. People
did not say of her that she was slender; they said she was thin. And
that was incontestably true. She was very thin. But her shoulders were
high and square, and there was a sort of angularity and harshness about
all the lines of her person. Her head seemed somewhat too large for her
body; and the upper part of it seemed too large for the lower portion.
She had a large, square forehead, white enough, but strongly marked with
inequalities of surface, which, however much they might have delighted a
phrenologist, were not conducive to girlish comeliness. Her hair was of
the very light reddish quality, which has not a single touch in it of
that rich sunny auburn, which makes so many heads charming, red though
they be. Her face was perfectly white, yet not clear of complexion. And
the pale grey eyes beneath their all but colourless brows completed the
impression of a general want of vigour and vitality.
Public-domain text, read in full here on John Shaqi.
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