The Contessa Violante was in the habit of spending much of her time in
the palace of her great-uncle the Cardinal Legate. It presented, among
other advantages, that of being pretty well the only place in which she
could escape for awhile from the companionship of the Signora Assunta
Fagiani, her duenna. Certainly, it would not have been consistent with
that lady's conception of her duty to allow her charge to visit any
other house whatever in the city, without the protection of her
companionship, but the palace of a Cardinal Legate--and that Legate her
great-uncle. Besides that, her great-aunt, the Cardinal's sister, was
also often at her brother's residence; and, having this facility close
at hand, Violante was wont very frequently to avail herself of the
privacy, comfort, and warmth of her uncle's chapel for the morning's
devotions, which she never missed.
One morning she found a small portable scaffold or estrade of deals
standing in one corner of the chapel; and, on inquiring for what purpose
it had been placed there, she was told that it was to enable an artist
to make a copy of some of the mosaics on the vault of the little
apartment. She learned further that the artist in question was a young
Venetian lady: that she was a protegee of the Marchese Lamberto; and
that the permission to execute the copies in question, and to have that
scaffolding placed there, had been obtained by him.
Then Violante knew right well who the Venetian artist was. The worthy
Assunta Fagiani had taken care that all the gossip of Ravenna which
connected this girl's name with that of Ludovico di Castelmare should
reach her ears. And she was glad of the easy opportunity which thus
offered itself to her of gratifying her natural curiosity respecting the
stranger--the girl who could win that love which had been promised to
her; but which she had been unable to inspire.
This Paolina Foscarelli--she well knew her name--was, in some sense, her
rival. Ludovico di Castelmare was bidden to love her, the Contessa
Violante, and instead of doing so, had given his love, as she had been
assured, to this Venetian. She knew, indeed, quite well that had the
stranger never come near Ravenna, Ludovico would not have loved her the
more. She did not love Ludovico. She was anxious to be quit of the
engagement it had been proposed to make between them; and it might be
very likely that this girl might be serviceable to her, rather than
otherwise, in helping to bring about such a consummation.
Public-domain text, read in full here on John Shaqi.
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