The Carnival was now drawing near its end; and the city had been
promised that before the time of cakes and ale should be over, and that
of sackcloth and ashes should begin, the divine prima donna should
appear in one more new part. And, after much deliberation and debate, it
had been decided that this should be Bellini's masterpiece, La
Sonnambula. She was to sing it on one night only--the last Sunday of the
Carnival; and the attraction on that night was proportionably great. The
Sonnambula, then in the first blush of its immense popularity, had never
yet been heard in Ravenna. It was one of the favourite parts of the
Diva; and all the city was on the tiptoe of expectation.
It was a matter of course that all the "society" would be there. The
entire first row of the boxes,--the "piano nobile," as it is called in
Italian theatres,--was the private property of the various noble
families of the city, which each had its box, with its coat of arms duly
emblazoned on the door thereof, in that tier. Nobody who did not belong
to "the society" of the town could in any way show his intruding face in
the "piano nobile." But above this sacred hemicycle there was another
range of boxes; equally private boxes; as all the boxes of an Italian
theatre are;--and the key of one of these upper "loggie" had been
secured by Ludovico, and presented to Signora Orsola and Paolina for the
great evening.
Of course he himself would be obliged to be in his proper place in the
Castelmare box, which was the stage box on the left hand of the stage.
"Whether I may be able to run up and pay you a little visit in the
course of the evening, I don't know. You may be very sure I shall if I
can; but there will be all the world there, of course, and lo zio in the
box--unless, indeed, he should choose to go behind the scenes. Talking
of that," he added, as he was on the point of leaving the room, "I don't
know what to make of lo zio of late."
"Has he said anything?"
"Not a word; but I don't like the look of him. He never was more amiable
as far as I am concerned; but he is not well; I never saw him as he is
now. He is haggard, feverish, restless; an older man in appearance by a
dozen years than he was at the beginning of Carnival."
"I suppose he has been raking too much, and wants a little rest. Lent
will be good for him."
"What, he! The Marchese Lamberto raking! You don't know him. But he
seems quite broken down; I should say, that he had got something on his
mind, if it was not impossible. He never had any trouble in his life;
and never did anything he ought not to do, I believe. But I confess he
puzzles me now. Good-night. God bless you, Paolina mia!"
That was on the Friday; and the Diva's last appearance was to take place
on the following Sunday.
CHAPTER II
The Corso
Public-domain text, read in full here on John Shaqi.
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